Torn between loyalty to her family, and her love for Jason, Medea attacks her father and flees with Jason to unknown lands. Her brother pursues them. When Jason betrays and abandons her, she is driven to the ultimate act of vengeful destruction.
Loren O'Dair
as Medea
Tom Lyall
as Apsyrtus
Jonny Liron
as Jason
A man has his routine reduced to his monotonous work and the suspicious relationship with his wife, until objects, places and people mysteriously disappear, making his life more interesting and, at the same time, dangerous.
Misha, Dalton, Jaxon, Hamlet, and David are young aspiring actors who move to Hollywood to follow their dream, but wind up testing their fate with consequences beyond their wildest imagination. Each of the actors have been hand picked by 'The Master'. A dark, mysterious teacher who promises to teach them the ultimate secret to success. Without knowing it, the young faithful dreamers are set to the test of their lives. They are hypnotized, mentally and physically abused and brainwashed as The Master slowly steals away any human instinct and empathy from them and applies a strange animal behavior instead. He calls it his unique acting technique. But in spite of all their hopes, dreams and aspirations The Master is never planning on giving them the secret to success. He has his own dark agenda. He is the hungry wolf in the jungle waiting for the right moment to prey on little girls. Just like the fairy tale of 'Little Red Riding Hood'.
In the early 20th century a village experienced a series of inexplicable murders. All the victims were young men who had been turned to stone. The perpetrator of these deaths was a being so repulsive that she transformed the onlooker using the power of her deadly stare. Much of the time the creature took the form of a beautiful and seductive woman, but during periods of the full moon she becomes a living horror, vicious and deadly. A professor has come to investigate the deaths, bringing with him his beautiful assistant whose knowledge of the Gorgon is more intimate than anyone would ever realise.
A triptych fable following a man without choice who tries to take control of his own life; a policeman who is alarmed that his wife who was missing-at-sea has returned and seems a different person; and a woman determined to find a specific someone with a special ability, who is destined to become a prodigious spiritual leader.
Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.
Weird Weird Movie Kids Do Not Watch The Movie is the second collaborative feature film between Rouzbeh Rashidi and Maximilian Le Cain. This hypnotic, visually and sonically immersive exploration of a haunted space unfolds in two parts. In the first, a woman (Eadaoin O’Donoghue) dissolves her identity into the ghostly resonances she finds in the rooms and corridors of a sprawling, atmospheric seaside basement property. In the second, a man (Rashidi), existing in a parallel dimension of the same space, pursues a bizarre and perverse amorous obsession.
A collage storybook retelling of the Jesus Christ story with Digital, Super 8, 16MM, and VHS, primarily set within a decaying and run-down world and divided into three acts. Accompanying the film's images is distilled church music provided by various noise artists. This is the first feature film from Los Angeles experimental filmmaker Case Esparros and was released in 2019.
Cissie Colpitts drowns her cheating husband and, in the ensuing cover-up, enlists the help of lonely coroner Henry Madgett, an old friend with a longstanding weakness for her charms. But when Cissie's daughter and granddaughter—both also named Cissie Colpitts—decide to resort to the same methods for solving conflicts with their own frustrating husbands, the women and their repeated appeals for help begin to wear on Madgett's conscience.
Five young friends are hanging out in the woods and discussing their different views on love. There’s Mary who is happily in love with Toby, Toby who is sort of indifferent about Mary, Joby who has a secret crush on Toby, Caty who is single and satisfied and Freddy, the gang’s own enthusiastic nerd. Freddy tells his friends about an ancient greek myth which suggests that humanity used to consist of people who were literally stuck together with their true loves. He then suggests that they should all pray to the old god Zeus so that Mary and Toby are reunited in their true form. Caty finds this suggestion repulsive but to her horror the others consider it to be a charming idea. The ritual works… but maybe not in the way they intended.
Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.
Exploring love's complexities, an experimental film captures a woman's brief yet significant journey, prompting her to break free and embrace newfound liberation
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.
A famous poet in postwar Paris, scorned by the Left Bank youth, is in love with both his wife Eurydice and a mysterious princess. Seeking inspiration, the poet becomes obsessed and follows the princess from the world of the living to the land of the dead.
A man, alone in a room, experiences a nightmare of his own
Long ago in the Iron Age, a shadow loomed over a lonely village. For generations, the village youths are stolen from their families and delivered as sacrifice to a mythical beast - the Minotaur, that dwells beneath a great palace. Theo, haunted by the loss of his love in an earlier sacrifice is convinced that the beast isn't real and that his girl still lives as a slave within the palace.
A tale of people unfolds under the night sky. These doomed couples and lost individuals begin journeys and attempt to find resolution in their lives. Love is observed from a distance, sadness is in the air. With little sympathy for the loss and destruction caused to the characters, the stories progress and become neatly woven into a minimalistic portrayal of modern life.
Doina, a shepherd’s wife in ancient Romania, turns her daily routine into ritual. When nature foretells his death, her journey through grief blends realism, myth, and magic, where despair meets imagination.
Antigone asks the question of the difference between the spirit of the Law and the letter of the Law. This elemental ancient play about - honor, loyalty, love, betrayal and conviction - resonates as sharply and as damning today as it did when it was written 2,500 years ago.
Johnny Minotaur is a lyrical explosion of taboos: incest, intergenerational desire, pansexuality and autoeroticism are a few of the issues Charles Henri Ford grapples with through mythopoeic, sensual imagery, recitations of his diaries and a philosophical debate featuring an impressive narration by such artists as Salvador Dali, Allen Ginsberg, Warren Sonbert and Lynne Tillman.
