A man takes several women home for his own gratification, with mixed results. First part made in 1987, second part made in 1990 with a more comedic-lens.
Jacqui O
as
Ice Queen
Jap Anne
Little Linda
A man does not know what fear is. His good friend dares him to spend one night in a scary place. A house of wax will get the job done.
Cinema of Transgression pioneers and participants (Lydia Lunch, Lung Leg, Nick Zedd, etc.) perform a series of acts as they submit to director Richard Kern's camera. Originally created for DTNY acid parties; Submit to Me was eventually edited down to 10 minutes and given an accompanying score.
A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources.
A distraught squatter tries to cope with his werewolf nature through drugs and music.
On a quiet night, a young couple find themselves caught up in a nightmarish ordeal after they witness a murderer disposing of a body in this claustrophobic thriller.
During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.
A reel of the Noh drama Momiji-gari, in which Danjuro Ichikawa played opposite Onoe Kikugoro V as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives.
An alcohol/drug abuser re-examines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.
It's Christmas time, and a grandmother spends a quiet afternoon tending to the family chores. But the arrival of an unexpected visitor brings with her some deadly consequences.
From Richard Gale, mad maker of CRITICIZED, comes a film that will never have you looking at cutlery the same way again. Set-up as an epic-length trailer for an upcoming release, HORRIBLY SLOW... depicts a man's endless pursuit by what has got to be one of the most determined and patient murderers the screen has ever seen.
A man listening to Rachmoninoff's 'Prelude' dreams he is the victim of premature burial.
This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.
Simon is a little boy that has to deal with his babysitter, Sonia, a total nuisance. But that same night Simon will receive and unexpected visitor, Timothy, the main character of Simon's favourite show, a visit he will never forget.
As a practical joke, an actor impersonates the screen monster he made famous. A lost film.
A doctor must remove a parasite infestation from within a patient's breast.
One of the two earliest horror films ever made. This film is presumed lost.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.