María José Callejas
as Silvia
Mariano Gonzalez
as Tata
Fabiana Carrazco Kauffman
as Lucía
Juan José Chaves
as Enfermero
Maria José Sauma
as Enfermera
Carlos Miranda
as Hermano
Karina Mora
as Hermana
Combining modern footage with home movies and interviews, filmmaker María Casado's life is explored, focusing on themes of family, history, and belonging, with a particular emphasis on childhood experiences related to home.
Lucien is on vacation in the country with his mother and grandmother. He finally decides to write to his uncle. When his mother finds out, she explodes with rage.
Forced to work a double shift on his daughter's birthday, a night watchman throws a secret party at his job. But what begins as a heartfelt gesture soon spirals out of control, putting his job and his relationship with her at risk.
Martina, aged 5, lives with her parents and baby brother Salva. Martina has to renew her identity document. Her mother explains that for her paperwork they will take a picture of her and she will have to sign. Martina wonders what signing is.
Aby, a 17 year old girl, can't move on from her father's death. Trapped in guilt and sorrow, she refuses to let him go. But when vivid nightmares begin to haunt her, she realizes they aren't just dreams; they're visions, triggered by a presence that forces her to confront what she fears the most. In a journey through dreams and memory, Aby must face her grief and learn how to live with it.
It documents the life of a couple of grandparents in their rural home, showing their connection with nature and their daily tasks. Through simple recordings, the director, their granddaughter, explores the importance of family ties.
Nohemí and Mary are two women resisting structural violence in Ciudad Juárez. United by pain and hope, both mothers find inspiration to move their families forward. The dragonfly, a symbol they share, embodies their resilience and capacity for change.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
After Homer accidentally pollutes the town's water supply, Springfield is encased in a gigantic dome by the EPA and the Simpsons are declared fugitives.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.