Six sequences about Fascism and its segments throughout history.
Adolf Hitler
as Self (archive footage)
Leni Riefenstahl
Paul Wegener
as The Golem (archive footage)
Veronica Serlui
Symphonic documentary exploring the Miami identity in six movements. It was performed and projected live by the New World Symphony, led by Michael Tilson Thomas on Feb 22, 2018. The film is made up of five separate and synchronized video channels, projected onto the walls of the New World Center concert hall, above a full symphony orchestra.
In Iasi, Romania, from June 28 to July 6, 1941, nearly 15 000 Jews were murdered in the course of a horrifying pogrom. At the time, the programmed extermination of European Jews had not yet began. After the war, the successive communist governments did all they could to ensure the Iasi pogrom would be forgotten. It was not until November of 2004 that Romania recognized for the first time its direct responsibility in the pogrom. All that remains of this massacre are about a hundred photographs taken as souvenirs by german and romanian soldiers, and a few remaining survivors.
Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.
"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
A luxury liner carries Jewish refugees from Hitler's Germany in a desperate fight for survival.
During the Battle of the Bulge in the winter of 1944, thousands of American GIs were captured by German forces. Berga: Soldiers of Another War, the final work in the distinguished career of four-time Academy Award-winning documentary filmmaker Charles Guggenheim, is the untold story of 350 American POWs caught in the tragedy of the Holocaust. In blatant violation of the Geneva Convention, the Jewish American soldiers in the 106th Infantry Division, together with those who had "Jewish-sounding" names or who "looked" Jewish, were shipped off to the slave-labor camp at Berga am Elster, a satellite camp of the infamous Buchenwald.
A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.
Documentary compiling the testimonies of the last remaining Holocaust survivors living in Britain, all of whom were children at the time, and following them over the course of a year as they embark upon personal and profound journeys.
Fragments from Brussels, about the flow of the city, A cinema, A body, A film, and a wind that blows through the town. The film is a Schizomentry experience that blends real stories and fiction. After all, where is the border?
The Trojan Nuclear Power Plant, with its 499-foot tall cooling tower that loomed over its otherwise bucolic Columbia river setting, is the only commercial nuclear power plant ever built in the state of Oregon, at the cost of $450 million in the 1970's economy (almost 3 trillion dollars in today’s money). [...] "Portrait #2: Trojan" is a sublime representation of the surrounding environment leading dramatically up to the moment of demolition. Sam Coomes’ flawless score provides stunning sonic context for the happy ending of the Oregon nuclear skyline. The film is an effective prescription in prevention of politically-triggered anxiety and depression in post-modern Cascadia.
A man sees mountains and sets out to recreate them. During a traverse across the Western United States, we observe familiar sites in a new light, and the world gets lost in the fold.
An experimental short in which a couple engaged in lovemaking is superimposed over ocean and beach scenes.
My great-grandmother, Frieda Riesenfeld, recounts moving into her first apartment in the United States after escaping from Germany in 1938.
Writing against oblivion: The film captures the names of the 66000 Austrian victims of the Shoa written by hand on the Prater Hauptallee in Vienna.
In an abandoned, timeless government archive, an unprecedented case is opened: the trial of "The Future" on charges of existential fraud against humanity through a perpetual, unfulfilled promise—only for investigators to discover that the accused might have never existed at all.