Financially and creatively bankrupt, aspiring actor Chase Miller is sleeping on his friends' couch and increasingly desperate for fame. Deciding to record his every move, Miller documents an unorthodox Oscar campaign.
Charlie Owen
as Chase Miller
Toby Ainscough
as Todd Baker
Josh Purchase
as Pat Harvey
Huw Stephens presents an exciting selection of short films from emerging artists and film-makers from across the UK. Topics are fresh, varied and thought-provoking, including a behind-the-scenes look at a zoo closing for the night, an honest account of farming the land, and a powerful love letter from a son to a mother who has cancer. Expect to be moved and challenged by these short dramas, observations and dance, made by a new generation of storytellers. Yew; Echdo; King of the Pit; Two B or Not Two B; Lucky House; Everything Is Fine; The Jacket; Cages; It's Always Been; Mary Lost Her Battle; Between the Dog and the Wolf; From His Perspective
Tattooed hands gently glide over a rock face, probing it with the tips of the fingers. Three women, arms raised to a high boulder, appear to be in prayer. Hidden in a cave, two others stare at their bloody palms. Touching Rocks depicts bouldering as a pagan ritual.
Vincent Lannoo’s ‘mockumentary’ shows us a community of vampires in Belgium. The two ‘parents’ of the family are George and Bertha, who have two teenage children – or rather, they raise two former humans who they turned into vampires. Son Samson is a bit of a jack the lad: enjoying the sexual freedom of vampire life, with all the vigour of an irresponsible young adult regardless of consequences (even incest is not frowned upon in their world, where the word ‘wife’ is often synonymous with ‘mother’ or ‘sister’). Daughter Grace yearns for humanity in a different way: applying fake tan to get rid of her vampiric pallor, dressing in pink clothes, wishing she could feel emotion and even having a human boyfriend.
Sewage worker Roy Dreary and an assortment of odd characters meet up with some cute and cuddly extraterrestrials traveling to earth in a giant pie in the sky. Dreary develops an obsession with mashed potatoes, whipped cream and maraschino cherries.
A young man bumps into his ex-girlfriend in the street. She doesn't recognize him.
When seventeen-year-old aspiring bowler Joey discovers she can't join the over-40s women's team, will oddball and lactose-intolerant Scooter’s friendship be enough to brave this backwater town?
A sequel to the 2011 "Going to the Store" and 2013 "Late for Meeting" animated short films, which feature a silly, disjointed journey in the traditions of dadaism and surreal humor in film.
Two degenerate laid-off Pennsylvania steel mill workers go on a drug-fueled day across their small town. The two get into many altercations with the local people that end in madness, chaos, and violence. They eventually make it home, only to have more crazy times for their family home evening.
A comedy drama about human characters who are often selfish and prioritize their own interests, yet sometimes forget to empathize and open their hearts to reconnect and build meaningful relationships with the people around them.
Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.
A depressed man tries to get back with his ex while drowning his depression in meaningless hook-ups.
Somewhere in the middle of the ocean, a school of fish comes to the rescue of a goldfish floating on the surface of the water. They vow to do everything they can to help it back into the water and breathe. What they don't know is that it's actually a balloon.
