A short documentary about the former judoka Marina and her Judo Club for People with Disabilities - "Fuji". Its brave members cope with all things Judo and real-life challenges, but always with a smile and the heart of a true judoka.
Marina Draskovic
as Self
Rene Bitorajac
as Narrator
Satoshi Ishii
Laura Bicanic
Fran Krasnic
Matej Malesevic
Lana Micanovic
Mia Micanovic
Vito Sikra
An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.
The main (super)hero of Beatrice Baldacci’s documentary is a person depicted as the sum of her memories. The story of the director and her family is told in the first person, with home VHS recordings that show both Beatrice’s mother and Beatrice as a child taking on the role of an agent of memory. Outdated technology transforms the events of twenty years ago into an archaeological object.
Time as punishment — of juvenile inmates and bodies that become heavy in prescribed spaces.
Scratches. Cross-outs. Stripes. Arnaud is tirelessly attacking ancient masters' painting reproductions with the tip of his pen. His free and living interlaces highlight shapes and figures.
Short 1964 black-and-white documentary featurette hosted by Sean Connery and featuring the real-life inspiration for the character of Q, Major Geoffrey Boothroyd with a discussion of the gun weaponry used by James Bond.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Documentary about the making of Disney's animated musical adaptation of Kipling's classic.
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Wadi Rum, known as the Valley of the Moon, is a vast landscape of sandstone walls in the desert of Jordan. Hoping to lure international climbers, two Israelis team up with a local Bedouin guide to establish a 1,800-foot route, eventually recruiting American climber Madaleine Sorkin to help achieve their dream. Valley of the Moon explores the importance of climbing as a way to cross cultural barriers, build friendships, and chase adventure in one of the most breathtaking regions on earth.
This documentary film is about one of Georgia's regions - Racha. The title of the film is taken from the name of one of Racha's high mountain villages. It tells about the poorest in society living in the mountains and the rise of the SSSR. The product of a remarkable collaboration between the first Georgian female filmmaker and the leading Georgian avant-garde artist David Kakabadze.
A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.
When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.
In 1934, Elzire Dionne delivered five identical girls. The Dionne Quintuplets follows Cecile, Emilie, Marie, Yvonne and Annette through twenty-one years of strange upbringing. When the girls were just infants, the premier of Ontario issued a court order removing them from parental care. Cut off from the world and their family, over-publicized, viewed twice daily in a special viewing compound, they grew up as prize exhibits. Director Donald Brittain uses old newsreel footage, home-movie sequences and interviews to depict a historic event that became a tragic exploitation of a family.
Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
In a candid, first-time interview with Rachel Lee, the so-called teenage mastermind behind a string of high-profile celebrity robberies in 2008 and 2009, the film examines the motivations of Lee and a group of her friends who broke into celebrity homes in Hollywood to ransack and steal, exploring the possible reasons behind her actions including mental health issues and addictions, as well as the climate of celebrity excess that fueled the teens, recontextualizing the events behind the sensational headlines.
