A man comes back home and turns on the TV to relax. However, he begins to feel haunted by a presenter, until he realizes something's off.
Marco Filippi
as Uomo
Fabrizio Franchetti
as Presentatore televisivo
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
Off the coast of Montpellier, a diver exploring a wreck uncovers a highly sought-after treasure: a golden statuette of Medusa, the monster from Greek mythology. The day after his discovery, the young man's boat is found adrift, with no one on board. Has the curse surrounding the legendary statue struck again? Or is a rival treasure hunter behind the diver's disappearance? - It's up to Police Captain Guillaume Le Guen of Montpellier's regional crime squad and his brother, Gendarmerie Captain Damien Le Guen, to solve the mystery. There's no time to waste and they'll need all their investigative skills, particularly because the victim is none other than Thibault Gagneur, Guillaume's son-in-law, whose daughter Emilie is expecting his grandchild.
CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...
Christian wakes to find himself in a vast waiting room for the afterlife, staffed only by his former school geography teacher, Mr Samuel. As their conversation unfolds, can he persuade Mr Samuel into an audacious plan to escape back to reality?
Inspired by Chris Marker's iconic 1962 featurette La Jetée; the year is 2073—a not-so-distant dystopian future—and the setting is New San Francisco, the scorched-earth tech-dominant police state where democracy and personal freedom have been well and truly obliterated.
Former illegal immigrant returns to his homeland, Numidia, to create a film representing the cinema of the south, which differs from the cinema of the north.
Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away...
Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break. After their paths cross, Kitano seems to begin hallucinating about becoming Beat.
When teenage Priscilla Beaulieu meets Elvis Presley at a party, the man who is already a meteoric rock-and-roll superstar becomes someone entirely unexpected in private moments: a thrilling crush, an ally in loneliness, a vulnerable best friend.
A film about family, love, affection, respect, house, bananas, holes, deconstruction, misfortune, death, addiction, intention, hyperfocus, motherhood, children, fatherhood, boots.
It tells the story of two individuals sitting in silence between a cup of tea and an ashtray, where a simple conversation transforms into a mirror reflecting the void of routine and the loss of meaning the noise of habit.
William Tell just wants to play cards. His spartan existence on the casino trail is shattered when he is approached by Cirk, a vulnerable and angry young man seeking help to execute his plan for revenge on a military colonel. Tell sees a chance at redemption through his relationship with Cirk.
Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.
Enrique buys a color television set just to satisfy a personal pleasure long time deferred but, from that moment on, he becomes obsessed with it in such way that eventually he is incapable to differ reality from fiction.
A short film that answers the question asked in the title. A brief introspection.
Andre inherits a small fortune, which pushes him into a series of surreal and aimless encounters with eccentric strangers.
Bounty hunters seek shelter from a raging blizzard and get caught up in a plot of betrayal and deception.
A spell of time in the life of the five-piece Haruno family in rural Tochigi Prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.
On New Year's night, Sandro suffers a heart attack and needs to have an emergency transplant. He ends up receiving the heart of Isadora, a transvestite owner of a beauty salon who had died a few moments before, victim of a runover. After the transplant, Isadora, in spirit, starts to follow the publicist's steps. Meanwhile, Sandro begins to notice changes in his behavior and begins to see the world in a different way.