Documentary on the 18-month renovation of the large Pathé Wepler cinema on the Place de Clichy in Paris. This 1,600-seat cinema is a landmark in the heart of a working-class district of Paris. The cinema becomes a twelve-screen multiplex.
Jean Touraine
as Self
Jean-Bernard Vargues
Jean-Pierre Lignon
In recent years, Hollywood productions have turned away from sensuality. Is the sex scene on the verge of extinction or reinvention? Alongside film professionals and researchers, this documentary deciphers a trend that speaks volumes about the evolution of the industry and our societies.
At a pivotal moment for gender equality in Hollywood, successful women directors talk about their art, lives and careers.
From its distinctive neighborhoods to its architectural homes, Los Angeles has been the backdrop to countless movies. In this dazzling work, Andersen takes viewers on a whirlwind tour through the metropolis' real and cinematic history, investigating the myriad stories and legends that have come to define it, and meticulously, judiciously revealing the real city that lives beneath.
An investigation into accusations of teenagers being sexually abused within the film industry.
If you’ve seen Top Gun or Transformers, you may have wondered: Does all of that military machinery on screen come with strings attached? Does the military actually get a crack at the script? With the release of a vast new trove of internal government documents, the answers have come into sharp focus: the US military has exercised editorial control over thousands of films and television programs. As these activities gain new public scrutiny, new questions arise: How have they managed to fly under the radar for so long? And where do we go from here?
Classic film star and queer icon Montgomery Clift’s legacy has long been a story of tragedy and self-destruction. But when his nephew dives into the family archives, a much more complicated picture emerges.
Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.
The daily life of Petra, Virginie, and Estelle, three stuntwomen, from the dangerous film sets, where they face all kinds of deadly dangers, to the safety of their homes.
In 1975, as America faced social and political upheaval, filmmakers turned chaos into art.
Overknee boots that triggered a fashion wave, a legendary shopping spree to the iconic theme song - the 1990 romantic comedy "Pretty Woman" by Garry Marshall starring Julia Roberts and Richard Gere is still the genre's biggest box office hit. The modern fairytale about a rich man who falls in love with a prostitute and rescues her made millions dream and made 22-year-old Julia Roberts famous overnight.
As notions of civil rights transformed across the world, so was the screen landscape reformed by the ascension of grassroots film movements seeking to challenge the mainstream. Some aspired to push form to its limit; others worked to destabilise what they saw as a homogenous industry, or to provoke questions around gender, sexuality, migration and race.
An inventive remembrance of the impact of the Hollywood blacklist on two American classics, rendered as a visually mesmerizing dialogue between Carl Foreman and Elia Kazan.
Documentary on Ciby 2000, the French film production company founded by Francis Bouygues in 1990.
French actors Lucien Jean-Baptiste, Aïssa Maïga, Sonia Rolland, Deborah Lukumuena, Marie-France Malonga, Gary Dourdan and others speak up on the reality of black actors in the French movie industry.
The first behind-the-scenes documentary in the film industry, from the making of a camera (Debrie) to studio shooting and directing, including animation techniques. Pierre Chenal meets André Rigal who executes, in his workshop, a series of freehand drawings. These sketches are then ground in a coffee grinder, from which a cartoon on film emerges. In Champigny, Alain Saint-Ogan and his host are working on Zig et Puce and developing Alfred the penguin's first steps. In Fontenay-sous-Bois, Ladislas Starewitch presents his future stars. Pierre Chenal described his film as follows: “I had designed to shoot a documentary in which I would show how a film is made in order, at the same time, to learn it myself. "
Industry professionals speak on how theatre changed their lives until film was deemed obsolete. 10 years later, their friendships, the movie business and the entire world would be forever altered yet again but now by a deadly pandemic.
