Life After opens the dialogue surrounding grief and how we experience it. Through conversations with Nicola Winstanley and Carmen Galavan about what grief is and how it affects us, we learn what it really means to live a life after.
Nicola Winstanley
as Self
Carmen Galven
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
On a January night in 1985, music's biggest stars gathered to record "We Are the World." This documentary goes behind the scenes of the historic event.
This documentary chronicles the inspirational story of a man who would not accept "no" for an answer. Born with cerebral palsy, Cordell Brown faced many challenges and most believed he would amount to nothing. Despite the odds stacked against him, Cordell proves that with heartfelt determination he can make a difference in the world.
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.
This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
A short film about the changing face of London Soho and the implications of gentrification on Mimi, an aging transvestite.
Takashi Miike is a cinema monster. Let's return to his filmography, his main themes, the framework of his monumental universe.
The impact of the pandemic has left a void in places that were once teeming with people. Spaces for education, sports, religion, culture and entertainment were desolate, waiting for humanity to fill these spaces again.
Four experts in different areas such as religion, philosophy and thanatology, share their wisdom when it comes to death.
Everyone thinks that Bob Kane created Batman, but that’s not the whole truth. One author makes it his crusade to make it known that Bill Finger, a struggling writer, actually helped invent the iconic superhero, from concept to costume to the very character we all know and love. Bruce Wayne may be Batman’s secret identity, but his creator was always a true mystery.
In a remote part of New Zealand, lies a cold, dark and mysterious cave system with the potential to be the deepest dived cave in the world. It’s here that explorer and hero of the Thai cave rescue Richard “Harry” Harris is searching for a sense of self. There’s no question that this is the highest stakes dive he has ever attempted. Underground, underwater, with a finite amount of gas to breathe, it’s a dangerous game to play. So what drives Harry to continue in his pursuit when he knows the cost - not just to himself, but to those he loves - and will he make it back to them?
Bryan Charles Kimes has a lot to say, but the power of language escapes him. Lost in a public-school system that does not suit his needs, his parents fight to help him find his voice.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.
