Video Parlour

Sisterhood

Amina, Djeneba and Zineb are three inseparable teenagers who find themselves in hot water when they post a video on social networks identifying an assailant who attacked one of the three. The video draws a public outcry, and they will have to choose between continuing their fight or giving in to pressure.

VILM

Summer 2001: young Gregor works at the small Berlin video store "VILM". When he falls in love with the shy "Betty", he has to keep a clear head handling the major catalogue change from VHS to DVD, his disillusioned co-worker Beni, quirky customers and the upcoming shoot of his next big short film ...

Do It Yourself Video for Poets

In a sarcastic mood, EZTV's founder John Dorr makes fun of the extensive aspiring Los Angeles spoken word scene of the 1980s and the enormous number of people who routinely approached EZTV asking for free service in getting their project made

Florence by Mills by Millie Bobby Brown

Florence by Mills by Millie Bobby Brown

Surpresas

Goodbye, Happy Together

To relieve the stress of the day, a man named Hasan puts one of his favourite films 'Happy Together' to DVD player however as He pushes the play button, He realizes, this film is different than his own memories. Is He Dreaming? or Is it a reference to a dimension of reality?

Brocolis

Hell Squad 2: Fresh Meat

A traumatized cheer captain races to stop a masked killer and the new tourist attraction aimed to exploit her tragedy from a year earlier.

VIDEO PAL

VIDEO PAL takes place in a shattered reality where all media is incomplete - films without faces, voices lost in distortion. Wholeness lies in seeking the 'Video Demon', a mythical, metaphysical being that completes all media...but demands total submission. When the demon is instead killed, what becomes of an already fractured reality?

Industrialismo

kid 90

As a teenager in the '90s, Soleil Moon Frye carried a video camera everywhere she went. She documented hundreds of hours of footage and then locked it away for over 20 years.

Macbeth

In a struggling and divided nation, the Macbeths see their chance to take the crown in this visceral and contemporary production of Shakespeare’s classic tragedy. Captured live at the Bristol Old Vic in 2024, the English Touring Theatre’s modern production was praised for its creative use of technology, including video projection, and its unique portrayal of the Witches.

o céu diante dos meus olhos nunca é cinza

Emancipação e Primeiras Eleições - Historiando em Novo Barreiro

Broken Eyes

Arrancar los ojos is a project that proposes a constellation of works around the gaze and its political dimension. A reflection on the concepts of institutional violence, repression and collective trauma, focusing on the pattern of eye attacks by state security forces.

loosies - Ian Ostrowski

A 3-minute short skate video filmed by Ian Ostrowski featuring skaters, Zion Wright, Louis Lopez, Dylan Clark, Romel Torres, Jasper Levine, Caden Smith, Darrian Williams, Tj Robinson & Apu

Preparação I

In Preparação I (Preparation I) Letícia Parente prepares herself to go out. In front of a bathroom mirror, she places bandages over her mouth and eyes, draws eyes and a mouth over the bandages, fixes her hair, takes her bag and leaves the room. This masquerade becomes a political commentary about the female gaze, voice, modes of interaction, sociality and corporeality in Brazilian society during the 1970s.

2

Repeating images of a boy running in the snow, an ocean, abstract shapes, and a man turning the crank of a giant machine all collide violently with one another as new video forms result. Technical details: 320x240 209kbps 3.3MB 11fps

In

Letícia Parente was a pioneer of video in Brazil, and In is one of her earliest video works. It depicts the artist entering a closet, suspending herself from a hanger, and closing the door. Parente used video as a political tool to protest the military dictatorship in Brazil, and to comment on the mass torture committed by the government. Much of her work concerned domestic space and its association with conventional roles to which women were expected to conform. Several videos by Parente transform daily household tasks into forms of resistance.

Tarefa I

Letícia lies on an ironing board in front of her maid who calmly irons her mistress, clothed, with the same attention to detail as someone who irons out a flat piece of clothing. The artist is calm like an empty suit; she doesn’t move, she doesn’t complain, she simply lies there. She is an ordinary piece of clothing, on any given day. There is no indifference, it is just another task accomplished. In the mistress maid relationship there is no tension, just silent complicity.