"Groper Train" pink film distributed by Okura Eiga.
Mio Sugimoto
as
Ran Mizukami
Hiromi Saotome
A couple of delinquents doing small time con jobs steal the car of a local councilman. Inside the car they find a stuffed panda. Suddenly the two find themselves targeted by the yakuza. It seems they will do anything to retrieve the panda. But why?
At 8:00 AM, the taxi driver's day begins. As usual, the Porno car sets off through the hotel district in the morning, but suddenly a naked woman bursts out of one of the hotels.
This routine effort from cult pinku-eiga director Hisayasu Sato centers around a divorcée who opens a beauty parlor and begins selling sexual services to boost her business.
A complete change of pace for cult pinku-eiga filmmaker Hisayasu Sato, this softcore farce set in a women's clinic looks more like one of Siggi Gotz's German romps than a film from the director of OL Renzoku Rape: Kyonyu Musaboru or Kamen No Yuwaku. The zany antics include the misadventures of a voyeuristic nurse, an exhibitionistic patient, a doctor and nurse who engage in S&M, a hypochondriac, and a lesbian nurse who sleeps with the patients.
Cult filmmaker Hisayasu Sato's second comedy of the year, this silly softcore effort stars pretty Nao Kikuchi as a young married woman who takes a job at a call-girl agency with the mistaken belief that it is a maid service. After she is raped on her first assignment, Kikuchi is understandably shocked, but quickly warms to her new career and becomes quite the professional. Unfortunately, her husband soon discovers the true nature of her work.
A married couple enjoy engaging in S&M sexual behavior, and the wife, Yuri, asserts, "The ultimate SM play is death." After her husband dies, supposedly accidentally, Yuri is left alone, grieving and self-destructive. Her mental state deteriorates as she watches and masturbates joylessly to the home-made SM videos she made with her husband.
An embittered young man who draws no physical pleasure from sex starts a club for his friends, luring young women into violent rape and torture by charming them over the Internet. Eventually the angry sister of one of the girls takes revenge.
A deranged doctor lives in an abandoned hospital together with his wheelchair-bound daughter. Frustrated by normal women's perceived imperfections, the doctor kidnaps them and subjects them to sadistic tortures to turn them into subservient women for his childlike daughter to play with.
A high-school girl with paranormal abilities becomes the center of a bizarre cult which believes her to be a divine idol. In fact, she's a maniac, prowling the streets with a male slave to rape and murder innocent victims.
Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.
A standard pinku-eiga entry from prolific cult director Hisayasu Sato, this softcore melodrama centers on a successful female magazine editor with a handsome fiancé. The good-looking, successful couple seems to be the picture of happiness, until the young woman meets a kinky dentist who helps her to discover the pleasures of pain.
One of legendary "pink" director Hisayasu Sato's first of over 50 examinations of love and sex among the dregs of society, this downbeat picture deals with a sleazy rapist (Taketoshi Watari) who starts a doomed romance with a sullen teenage reject.
A sexy slapstick comedy Nikkatsu film about an unsuccessful comedian working at a lively strip club.
Pinku from 1980, distributed by Nikkatsu
