Jun Zhang
as 主持人
Yakov Kolontarov
as Yakov Kolontarov himself
Yaqin is a girl eager to see the world. WANG Jiong is a boy who stakes his career on a confession. These two newly graduated friends both want to escape their families and realise their self-worth. But when an imperfect society collides with an imperfect self, when cheerfulness becomes a mask, and when initial aspirations waver in reality, what kind of people will they turn out to be after this stumbling coming-of-age journey?
A documentary that follows two men. One resigned from factory work to study composition because of his love for music. He has more than 100 original songs and once had a music career in Beijing. Eventually he returned to his hometown, Xuzhou, to make a living performing by the roadside because he could no longer afford to eat. The other was born in Taiwan before moving to Xuzhou to stay with his father's family in Xuzhou when he was 15 years old. Soon after his father died he taught himself the piano, music composition, MIDI music production. He had many students, including idols and stars, even as he still lives in a low-rent house, gets by selling e-waste, and educates people who love music for free. They are misfortune, ordinary, dressed in ragged clothes, and sing the most beautiful songs.
The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.
The last words of the gangster Dutch Schultz form the starting point for this animated documentary. The FBI noted these words down on Schultz’ deathbed, in the hope he would betray his colleagues. Here, spoken in the english version by Rutger Hauer, they accompany the sober, pencil drawn animation based on traced (film) images from Schultz’ time: the late 1920s, early 1930s.
The 94 minute documentary film “From the 50 Yard Line” presents the football field not only as a sports venue but also as a stage for the marching band. The viewer goes on an exciting adventure through band camp, auditions, the marching season, and the regional and national competitions in 2006. You see the great rewards of disciplined practice, the overlooked technical artistry of the group endeavor, and the important life changing effects of instrumental music education. Another layer delves into the misconceptions about marching band, showing "band nerds" in a whole new light.
An interview with actor Dan Zukovic about Hanging Heart (1989)
Aristocratic Italian roots, a close family connection to James Bond novelist Ian Fleming, wartime experiences in the British and Finnish military, post-war Nazi-hunting adventures and a side career as a heavy metal rock singer. And one of the most iconic actors of all time.
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Pablo, Angel o Demonio is the untold story of a man who changed our world forever. He created the multinational enterprise of cocaine trafficking and through terror brought a country to its knees, but through altruistic generosity he transformed the lives of his people, the underprivileged.
A short documentary on Japanese animation featured on the DVD for The Animatrix (2003).
As the "Murder Hornet" makes national headlines, a small town crew of beekeepers and scientists band together to protect their quiet Washington community from the dangerous invasive species.
