Filmed in six countries during fifteen years , "The Last Transhumance" takes us into the world of shepherds who walk with their animals very long distances in search for food: an ancient way of life not compatible with the modern world.
The story of lawsuit by tens of thousands of Ecuadorans against Chevron over contamination of the Ecuadorean Amazon.
More than two decades after the Clean Water Act was supposed to make America’s waters clean enough for swimming and fishing again, two iconic waterways — the great coastal estuaries of Puget Sound and the Chesapeake Bay — are in perilous condition. With polluted runoff still flowing in from industry, agriculture and massive suburban development, scientists fear contamination to the food chain and drinking water for millions of people. A growing list of endangered species is also threatened in both estuaries. As a new president, Congress and the states set new agendas and spending priorities, FRONTLINE correspondent Hedrick Smith examines the rising hazards to human health and the ecosystem, and why its so hard to keep our waters clean.
Long ago, Geamăna was a Romanian village in the Apuseni Mountains, home to about 1000 people. Today, only the church spire rises from the poisonous mud of a neighbouring copper mine. Almost all the houses have sunk and their inhabitants fled. On the edge of the past, Valeria Praţa strives for her present - and is threatened by the future.
In 1980, Jack Shae and Allen Moore, two ethnographic filmmakers from Harvard University, moved their families to the island of Berneray in the Outer Hebrides. Over the course of 18 months they documented the everyday lives and struggles of the crofters they lived among, whom were even then a vanishing breed. The film is in English and Gaelic. This carefully observed documentary by filmmakers Jack Shae and Allen Moore is a poetic ethnographic film in the style of their mentor, Robert Gardner (“Dead Birds”). It follows the rhythm of life on a wind-swept island in the Outer Hebrides through the four seasons and in the filmmakers’ observation of the day-to-day struggles of a vanishing society we see the deep-time legacy of their kind. The film is in English and Gaelic.
The pandemic has changed many things. Including Alfia, she is a teacher who has learned a lot from the phenomenon she saw. For Alfia, trash is no longer appropriate to be disposed of in its place.
A portrait of environmental folk hero & gay icon Bob Brown, who took green politics to the center of power. His story is interwoven with the life cycle of the ancient trees he's fighting for.
In under 3 hours for the annual Joel Haver’s “Make a Movie During the Oscars”, Clenny Kwok documents the crowd of Chatswood on one normal day.
After Kai saves a woman's life, he turns into an overnight hero and viral sensation — until disturbing truths about his erratic behavior come to light. This shocking documentary chronicles a happy-go-lucky nomad's ascent to viral stardom and the resulting steep downward spiral.
In the depths of the Colombian jungle, the skeleton of an immense abandoned cement bridge is tucked away. It has turned into a delusional tourist attraction.
This Finnish documentary film directed, written, produced and shot by Markku Lehmuskallio is the first part of a documentary trilogy about the Nenets people. It's a folkloric documentary describing the traditional nomadic life of the Nenets on the Yamal Peninsula. It includes Nenets songs sung by Anastasia Lapsui and her mother Maria Lapsui. The film was the first film collaboration of Markku Lehmuskallio and Anastasia Lapsui.
From 1949 to summer the next year, Robert Kloster and Brita Gjerdåker Skre documented the daily working lives of the people on Havråtunet (Havretunet), a cluster farm on Havrå, Osterøy, that remains one of the only cluster farms to survive the 1850 Land Consolidation Act. This is the 130-minute original version of the documentary, distributed on DVDs by Geir Sundal in 2004, with the permission of Norsk Filminstitutt.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.
Just one of the many far-reaching impacts of the slave trade on human history is on agriculture and horticulture. While the French plantation owners on the Caribbean island of Martinique had their gardens laid out, Versailles-style, their enslaved workers continued their tradition of using medicinal wild herbs. Nowadays these herbs represent one of several resources through which the people of Martinique counter the health and ecological ravage caused by the use of pesticides on the banana plantations. Farmers are reclaiming uncultivated lands to grow indigenous vegetables, without any industrial pesticides; they fight boldly for simple biodiversity.
Jabir, Usama and Uzeir are three young brothers in a Sunni family of shepherds. Since childhood, their father Ibrahim has rigidly trained them in the principles of the Quran and has filled their minds with stories of the Bosnian War.
In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.
