An experimental short film about fleeting moments that capture the everyday in different forms and emotions. A sensory exploration of ordinary time. 35mm. Silent.
Energy cannot be created or destroyed. When we die, where does our energy go? Inspired by Vauhini Vara's essay "Ghosts", in which she prompted Al to help her write about her sister's passing, "GHOSTS" takes us on the emotional journey of grief. We see a ghost figure trying to get through to her sister, who is still alive, and let her know she's still around somehow. There are two poems in this piece, one is a poem written by GPT 3, and the next is the director's (Oriana Mejer) response to it. This film uses spoken word poetry, TouchDesigner motion graphics, and is originally scored by French musician Taime.
Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.
Dr. Atsuko Chiba is a research psychologist who uses a device called the DC Mini to enter her patients' dreams, wherein she adopts the alter-ego "Paprika". When the device is stolen, she must stop rogue elements from merging the dream and waking worlds.
Decoherence is an audiovisual composition made with sound waves, water, and granular and spectral processing. A 60 cycle drone from a speaker cone below creates subtle patterns on the liquid surface, which grows increasingly turbulent. This piece explores interference patterns, the interplay of macro and microscopic patterns, chaos and continuua.
An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.
An intimate and introspective experimental film in which the author's anxious manias and worries are presented visually, without the need for sound. The movement of her fingers and mouth, both tearing the skin, accompanied by the images of her eyes show that even though it is sometimes involuntary, the author is aware of her manias and because they are present at every moment of her life, they are evident to those around her. Even when conscious, her manias are almost impossible to control, as the body is already programmed to surrender to the internal need to self-mutilate in order to relieve some of the anxiety.
This is an amateur student mood piece comprised of footage I've filmed with my Camcorder at uni over the course of the first half of 2023. The prompt given for this was 'belonging' and so I've gravitated it around the premise of navigating a place that you feel as though you don't belong in, to the point where you become detached and alienated from your own identity. - Toby.
“I Was So Afraid of You Running Away” is an analog film consisting of nearly 5 thousand frames being drawn by hand directly onto 36 mm film negatives. The film explores the tension between desire and restraint, freedom and constraint, ultimately underscoring the fragile balance between self-expression and self-sabotage in the pursuit of love. Through a dark analogue visual narrative and a hauntingly evocative soundtrack, the film unravels the enigma of love, portraying it as a dynamic force that transcends conventional boundaries and defies simple categorization.
Lynsey Martin’s work includes the use of collage and its erasure, the grain of the photographic image and handpainting and drawing imagery directly on the film surface. Martin deals with the graphic and material elements of the filmstrip, the nature of filmic movement and the nature of photography in public space.
A perspective on everyday things.
An introverted girl struggles to form connections through a strange social media site.
"It's all coming out of Mexico. Surreal gets so real. And invader from England, France or Spain found the taste of cactus cocktail. That makes this movie sweat, ha?" (Stom Sogo)
The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.
Time passes but nothing changes. Opportunities are missed one after the other. Until finally there's a way out.
Mara—the spirit of the night, the weaver of darkened dreams—pressed upon my chest as sleep held me captive. My memory. In the haze of a dream, I saw those I loved, their faces bathed in an otherworldly glow. The nightmare was not the shadows nor the fear they whispered, but the cruel certainty of waking—of losing them to the morning light
A man is trapped in a loop somewhere between life and death. Based on Bardo, a Buddhist term for an intermediate state between death and rebirth. This film combines elements of art house, avant-garde, surrealism, and experimental horror.
A drifter spends the night in an abandoned house and encounters a Window of Consciousness. This award-winning film combines elements of art house, avant-garde, surrealism, and experimental horror.
Quiet reflections at the end of the season.