After years of facing racism and discrimination, director Josephine Ann reclaims her pride for her Hispanic heritage and proudly declares "Soy Boricua" (I am Puerto Rican).
A biographical documentary on the late great comedian Bill Hicks and his career; in particular the censorship by Letterman that scarred it.
JaBig, a Montreal-based DJ, is on a quest to beat the record for the longest continuous bike ride in a single country. Join him on the last day of his ride to discover what happens when you stop listening to all the reasons why you shouldn’t, and listen to the voice inside you, telling you to go.
Choreography of familiar gestures that the author was able to spice up with a peculiar and original perspective.
George Lucas, Irvin Kershner, Lawrence Kasdan and John Williams look back at The Empire Strikes Back 30 years later.
The short documentary tells the story of a culture and arts space in Tampere. Between 2018 and 2023 the culture association Romu & Random operated at Satamakatu 3. The documentary preserves its cultural history, which technically began in 2014, and it looks, feels, smells and tastes just like the space in Satamakatu 3 did.
This documentary short, produced for West Virginia public TV's "Different Drummer" series, introduces us to Jesco White, a hard-living, tap-dancing Boone County resident whose repeated run-ins with the law have interfered with his dream of becoming as renowned a "mountain dancer" as his late father, D. Ray White. We meet Jesco's three distinct personalities; the gentle and loving Jesse, the violent and dangerous Jesco, and the extremely strange Elvis. We also encounter various members of Jesco's family, all nearly as eccentric as Jesco himself. You will ask, "Are these people for real?" Yes, they are.
Benedicto, is a retired police officer who has dedicated more than 30 years of his life, helping young drug addicts and homeless people in the rural town of Corozal, Puerto Rico. His story takes place day by day in a little humble house in the death road of the municipal cemetery of Corozal, a rural municipality of Puerto Rico with a high population of young homeless people, alcoholism and drug addicts. The door of Benedictus little house on the death road to the cemetery is the deviation between life and death for these young people in need.
The pandemic has changed many things. Including Alfia, she is a teacher who has learned a lot from the phenomenon she saw. For Alfia, trash is no longer appropriate to be disposed of in its place.
No matter how far the war retreats, its traces are imprinted on the torn earth and the memory of generations for tens, hundreds of years with bloody traces. The body of the earth is burned by shells, torn apart by mines - and we are its Parts. The heroes of the film are young Caucasian guys-children of the war that destroyed their childhood and youth. In this black-and-white movie, the past, present and future alike merge into the color of the tragedy of all times and peoples – the color of war.
Made for the Celery Festival in Barranquitas, Puerto Rico, this documentary presents the entire history of Celery and its importance in the town of Barranquitas, as well as the evolution of the most important Agro-Cultural Festival in Puerto Rico.
A quickfire portrait of the New York City ballroom scene in the ‘80s.
A community documentary highlighting the intersectionalities of the Black experience at the University of Michigan, divided into 6 sections: Black Beauty, Black Love, Black Arts, Black Academia, Black Struggle & Perseverance, and Black Joy.
Documentary on the mass sterilization of Puerto Rican women during the 1950s and '60s.
Following the example of an entomologist watching the behavior of insects Edmond Bernhard scrutinizes the doings and the words of a priest - assisted by his choirboys - in the process of saying his mass.
However impressive the site is, however bossy the guides are, the visitors of the Musée Napoléon listen only absent-mindedly. Does this young lady really care about the tragic destiny of emperor Napoleon or Europe's changing face or isn't she more interested in her won reflection in a window case? And isn't the camera operator more prone to film the cornet wimples of visiting nuns than the fossilized remains of Napoleon's fallen grandeur...?