Through a child's lens, The Honest Poet reveals a rarely seen side of Afghanistan, following 11-year-old Raheem on a journey through his country and into the homes and hearts of his people.
Rahim Haidari
as themselves
Telaa Mohammad
Cacaso, a Brazilian poet, lived in Rio de Janeiro. Born Antonio Carlos de Brito (1944-1987) he was one of the leaders of the marginal poetry movement. Cacaso filled notebooks not only with poems but reflections, drawings and collages. He also became a lyricist and partner of celebrated songwriters such as Tom Jobim, Edu Lobo, Toninho Horta, João Donato and Sivuca.
1989, New York City's Alphabet City and East Village. A year after the Tompkins Square Park Riot, squatters and their community allies try to stop the demolition of their building after an arson. Police forces occupy the neighborhood while the demolition continues. A portrait of an East Village that is no more. An homage to the voices and sounds of a neighborhood before its gentrification.
A heartwarming story about a precautious, 8-year-old girl exploring the world with her globetrotting father and growing up in an unconventional family.
Eldar Ryazanov reads his poetry. An introspective movie on his multifaceted work.
Kat, a wheelchair user, navigates a city where access is improvised and progress remains uneven. Para-Paraan (Finding a Way Through) turns silence into protest, revealing how every workaround conceals a larger truth. Kat’s silence is not defeat but defiance, a quiet hope that someday, resilience will no longer be the only way forward.
Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...
An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.
A documentary film on the site of a former lumber mill. It follows Lindsay Suter an architect and direct descendant of Lauren J. Drake, President of Standard Oil of Indiana.
A fourteen-minute documentary splitted in two parts where we can see Anne Sexton at her home reading, talking about poetry and about her family.
The documentary begins when the fictionalized drama ends. Sara spent three years volunteering to save refugees on the same journey that made her so famous, and was suddenly arrested in Aug. 2018, accused by Greek authorities of running a criminal enterprise with charges including “international espionage and people smuggling.” If convicted, she faces up to 25 years in prison and the end of her humanitarian career. Shot over three years, the film follows Sara’s fight for justice and journey of self-discovery.
A girl from St. Petersburg walks around protest-ridden Moscow, talking to riot police and believing that sooner or later they will go over to the side of the demonstrators. An 18-year-old student of a St. Petersburg college introduces herself as Alice and tells about herself that from the age of four she lived in an orphanage and in foster families. In Moscow, Alisa, for whom this is the first rally in her life, walks along the police cordons and looks under the OMON helmet. "Under the mask you can't see, are you even human?"
Combining the authenticity of Indigenous writer Rebecca Thomas' narrative, the power of poetry, and stunning animation, "I Place You into the Fire" invites viewers to consider their roles in fostering understanding, compassion and justice.
In a country where bella figura is a national pastime, Prime Minister Silvio Berlusconi is the maestro of media manipulation. Having risen to political primacy with the aid of his Mediaset empire, he now controls 90% of the bel paese’s television channels including the state-run RAI network. Quantity, it seems, does not equal quality. Fed on a diet of semi-naked dancing girls, inane competitions and rickety reality shows built around the most ridiculous of premises, is it any wonder that Italians are becoming a nation of fame-hungry wannabes?
Solentime (2020), directed by Carlos Henríquez Consalvi and Camilo Henríquez, revisits the memory of poet-priest Ernesto Cardenal and the Christian community he founded in the Solentiname archipelago, where art, faith, and revolutionary consciousness converged. The film reconstructs a failed 1973 documentary project, when a young Consalvi traveled from Venezuela to film Cardenal with a 16mm Bolex, only to discover the footage was ruined. Nearly five decades later, during the COVID-19 lockdown and after Cardenal’s death, father and son assemble photographs, archival images, and sound to evoke that encounter and the fragile persistence of memory, turning loss, decay, and time into the material of the film itself.
