Luka Mangifesto
as Théo
Léanne Leduc
as Réalisatrice du documentaire sur Théo
Justin Papillon
as L'Alien
Richard Glenn
as Richard Glenn
Snowflakes at the End of the World offers a meditation on the beauty and ugliness of Montreal winter, and invites critical reflection on the relationship between humans and nature.
An immersive dive into the world of Heenok and his collective Gangster & Gentleman, while touching on broader questions about the survival of hip-hop and the state of humanity. Did Roi Heenok really earn his first million at 18? Is he a real fake gangster or a fake real MC? And ultimately, is Roi Heenok truly a king?
Rosaire and Alex would do anything to seduce girls, but they are broke. In an attempt to escape their problem, they become willing to do anything to make some money.
Prestigious guitarist Stanley Jordan is well-known for his exclusive use of the guitar: His 10 fingers run along the neck of the instrument, creating special sound effects similar to those created by a keyboard. This video filmed at the XI Montreal International Jazz Festival presents Jordan's spectacular guitar solos, confirming his immense talent (as if any confirmation were necessary!).
This film takes us inside the world of cricket and the daily life of Montreal's Parc Extension - one of Canada's poorest yet most vibrant immigrant neighbourhoods.
BREAKING POINT brings viewers back to those tense, critical moments when Canada's future as a country was at stake.
This documentary let us to relive the challenge of the men behind the 1967 Universal Exposition in Montréal, Canada. By searching trough 80,000 archival documents at the national Archives, they managed to bring light on one of the biggest logistical and political challenges that were faced by organizers during the "Révolution Tranquille" in the Québec sixties. Includes the accounts of the Chief of Advertising Yves Jasmin, and businessman Philippe de Gaspé Beaubien.
Bathed in the uncanny glow of late afternoon sun and set against a noisy highway, Interchange depicts the melancholy and isolation of a small working-class neighborhood on the outskirts of Montreal.
Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.
After not having seen each other in five years, Chris Terry goes to visit his younger sister Noelle Terry in Montréal. Their lives, both together and apart, have been turbulent ones with something toxic having affected the way they interact with each other. Adapted from the critically-acclaimed play by Tom Walmsley.