J.P. Valenzuela
as El Psicópata/ Presunta Víctima
Ian Zamora Hernández
as El Psicópata (mano)
Carlos
as El Psicópata (espalda)
Juan Pérez
as Transeunte
Ariadne, a theatre actress, is seemingly trapped inside a room. Once she lets go, the room starts shifting.
Following the disappearance of a man in Scotland, his daughter recalls words chanted before nightfall.
A guy named Ray tries to go to sleep and a sasquatch gets into funky business.
Veils is a short experimental film about humans finding themselves outside of the technological advancements of the world today. It is inspired by the fogginess and blurriness humans can go through when they use different technologies like smartphones, artificial intelligence, and much more. What happens when humans break outside of the bubble that they created?
Family man Ethan Miller is on his way home from work. The drive ahead of him is long, but after getting a distressing phone call from his wife, he realises that's the least of his problems...
A woman confined to a colorless room finds herself forced to eat a mysterious meal while being tormented by strange creatures.
Julia is my mother. She's worked as a hairdresser all her life, but she's retired now. She spends her weekdays cooking and styling her friends' hair; but her greatest dream is taking care of her grandson, my son. He comes to visit us once a week and stays overnight. The morning after one of those nights, my mother tells me she thinks she's had a stroke. I don't know what to say; I hug her. Two weeks later, we shot this film.
A simple man from Delhi sets out on what he calls the journey of a lifetime. From the crowded lanes of Paharganj to the shining shores of Phuket. What follows is a story filled with unexpected encounters, new experiences, small revelations, and moments that feel larger than life. As he narrates his adventure, the trip begins to take on a rhythm of its own. Funny, dramatic, and at times strangely intimate. Is it just a holiday? A transformation? Or something else entirely? Paharganj to Phuket is a travel tale about dreams, desire, and the stories we tell when we return home.
A film about haircuts, clothes and image/sound relationships. - J.S.
Ser, a person, fights against depression, anxiety and fear, a dark creature within. Failing to escape from it, he surrenders to this feelings within him, embarking on an internal journey to reconnect with his essence and transform into light.
A monster that lives in the darkest part of the sea, a dreamlike representation of the journey towards the depths of something that one wants to avoid and that is finally faced.
An experimental film revolving around how an artist perceives a man and a woman.
A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.
After his death, a young man stuck in purgatory attempts to cope with the afterlife.
A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
The emotional decline of a person after being the host of an energetic parasite.