An unknown observer is seen traveling through a bleak corridor. At the end of the corridor they see a naked woman, whom they are unable to reach as their trip seems to become increasingly twisted and looped.
They set off, looking for work in far-off places, but disappeared along the way. Inspired by Shiv Kumar Batalvi’s “birha” poetry, the film traces the longing on both sides: on the part of those who are missing, and those that wait for them to return.
Every weekday, inmates are released from Huntsville State Penitentiary, taking in their first moments of freedom with phone calls, cigarettes, and quiet reflection at the Greyhound station up the block.
Stanley Kubrick’s debut documentary, following Irish-American middleweight boxer Walter Cartier on April 17, 1950—the day of his bout with Bobby James. The film traces Cartier’s quiet morning rituals, training, and anxious hours before the match, culminating in his swift victory that night in Newark. Opening with a brief history of boxing, Kubrick’s tightly crafted short captures the discipline, isolation, and tension behind a fighter’s daily routine.
Stanley Kubrick’s short documentary about Father Fred Stadtmueller, a Catholic priest serving a vast 4,000-square-mile parish in rural New Mexico. To reach his scattered congregation, he pilots his own Piper Cub aircraft, the Spirit of St. Joseph. Over two days, Kubrick follows the “flying padre” as he conducts Mass, mediates between quarreling children, attends a funeral, and airlifts a sick child to medical care—capturing both the challenges and quiet heroism of his daily mission.
The Aletsch Glacier is the longest and largest glacier of the Alps. According to glaciologists, most glaciers will have disappeared by the end of this century, and only bits of the Aletsch will remain. Through a journey into the body of the glacier the film offers a compelling and unsettling visual experience in which our perception of the nature of the images we see, scale and temporality are questioned.
A monster film with no monsters. Inspired by the existence of taxonomies of monsters at the heart of Early Modern European science, the film explores and reinterprets a way of seeing the natural world that is almost impossible to imagine from today’s vantage point.
ASMR: A feeling that disappears because it’s too subtle to notice, leaving a trace of a soft tingling sensation behind.
As the day grinds to a halt, agricultural workers gather to street race in the quiet, contemplative night.
Coded tells the story of illustrator J.C. Leyendecker, whose legacy laid the foundation for today's out-and-proud LGBTQ advertisements.
Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.
Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.
A tale of 2 passages within the Spirit house. This is the first in a series that looks at the places we find our spiritual presence augmented, inflamed, or simply acknowledged.
Tassel-spinning showgirl Tina stars in this rare 60s British burlesque stage show reel.
Chiyo is a poetic exploration of the suburbs in Japan through the filmmaker’s reflection on the life of her grandmother. With a series of everyday moments in Yashio from a summer fair to Buddhist rituals, the film embodies micro-narratives, seeking cinema’s ability to offer a contemplative space.
As „wings of men“ they became the faithful companion of a great nomadic nation thousands of years ago. Today, 28 years after the Soviet occupation, the little horse is an essential part of the cultural heritage and the search for identity of the modern Kyrgyz people. Based on its own story, a so called „good brown horse“ leads through the film and offers an insight of what it could mean to be „todays wings of men“. Told by a horse’s voice and through its eyes, this short film still is a documentary, but also a poetic journey to a nomadic culture.