Festa Major i Carnaval: miralls i reflexos d'una ciutat

Angoulême : 50 ans de bulles

In 1974, a group of friends, inspired by what they had seen in Italy and driven by their common passion, organized a comic book fair in their Charente town of Angoulême. Half a century later, the event has become an internationally renowned festival, which is about to celebrate its 50th edition. This documentary tells the story of the creation of the Angoulême International Comics Festival in the context of the 1970s, and the evolution of the event since then, which has made the city a world reference in an exponentially growing bubble market.

Nossa Senhora da Glória do Outeiro Fest

Fest organized by Irmandade do Outeiro Nossa Senhora da Glória with the attendance of president Eurico Gaspar Dutra.

O Legado dos Vaga-lumes

A short film that deals with the social and historical importance of Rainbowfest for Juiz de Fora, exploring the first edition held after the death of one of its founders, Marcos Trajano.

Irani

Register a popular celebration related to a battle fought in the city of Irani, starting point of Contestado War at Santa Catarina State, Brazil in 1912.

Esencia de verbena

Uninhibited description of what Spanish verbenas are and what their essence is, and of what nourishes and constitutes them both in recreational and popular territory and in a traditional institution.

Parade

Filmed in Belgrade in 1962, Parade documents the city’s engagement with the annual May Day celebration by largely ignoring the formal procession. Instead, Dušan Makavejev records the informal moments surrounding it: workers, officials, wanderers, and organizers negotiating space, hierarchy, and appearance. Shot with a detached, humorous eye, the film assembles a mosaic of everyday behavior that reveals the contrast between official ceremony and lived social reality.

Far from the Trees

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

Carnival in Flanders

Flanders, Hispanic Monarchy, 1616. The inhabitants of the small town of Boom are busy organizing the annual local festivities when the arrival of the Duke of Olivares, who rules the country on behalf of the King Philip III of Spain, is announced. While the male citizens cowardly surrender to panic, the brave female citizens decide to become the best hosts the Spaniards can ever meet. (German version of the French film La Kermesse héroïque, 1935.)

Le Concert de Paris 2014

Le concert de Paris 2016

Le concert de Paris 2020

Carnival in Flanders

Flanders, Hispanic Monarchy, 1616. The inhabitants of the small town of Boom are busy organizing the annual local festivities when the arrival of the Duke of Olivares, who rules the country on behalf of the King Philip III of Spain, is announced. While the male citizens cowardly surrender to panic like rats on a sinking ship, the brave female citizens, led by the bold wife of the burgomaster, decide to become the best hosts the Spaniards can ever meet.

Who Can Kill a Child?

A couple of English tourists arrive at the island of Almanzora, off the Spanish Mediterranean coast, where they discover that there are no adults in a small fishing village, only some children who stare at them and smile mysteriously.

The Lamb of God

The apparition of a bloodstain reaffirms the relentless cycle of life, filmed in all its fragility and complexity.

Twin Murders: The Silence of the White City

Vitoria-Gasteiz, Basque Country, Spain, 2019. Two corpses appear in the crypt of the Old Cathedral. Police officer Unai López de Ayala, an expert in criminal profiling, must hunt down the ritual murderer who has been terrorizing the city for two decades.

Neuer Deutscher Film Report

Interview film with the protagonists of the New German Cinema in 1966.

Hindenburg Explodes!

Dramatic Universal newsreel footage of the Hindenburg disaster which took place on Thursday, May 6, 1937, when the German passenger airship LZ 129 Hindenburg caught fire and was destroyed during its attempt to dock with its mooring mast at the Lakehurst Naval Air Station, New Jersey. Of the 97 people on board (36 passengers, 61 crew), there were 35 fatalities; there was also one death among the ground crew. The actual cause of the fire remains unknown, although a variety of hypotheses have been put forward for both the cause of ignition and the initial fuel for the ensuing fire. The incident shattered public confidence in the giant, passenger-carrying rigid airship and marked the end of the airship era.

2 or 3 Things I Know About Him

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

Electro-Pythagorus: A Portrait of Martin Bartlett

Electro-Pythagorus is an intimate and subjective portrait of the late Martin Bartlett, the Canadian electronic music pioneer who studied with Pauline Oliveros, David Tudor, John Cage, and Pandit Pran Nath. His contribution as an interdisciplinary composer, educator, and founding member of Western Front, though undoubtedly extensive, is in danger of being erased from cultural memory since his death from AIDS in 1993. Navigating an array of archival materials including letters, correspondences, notebooks, personal photos, and a huge body of unreleased music and field recordings held at the archives of Simon Fraser University, Electro-Pythagoras is a journey through the evolution of Bartlett’s musical time and space, softly guided by Luke Fowler’s insightful camera and montage—creating an experimental portrait that defies one-dimensionality.