Ali's Story

Phantom of the Paradise

Singer-songwriter Winslow Leach seeks revenge on the nefarious music producer Swan, who steals both Winslow's music and his favorite singer for the grand opening of Swan's new rock palace, the Paradise.

A Chair Fit for an Angel

For two hundred years, the Shakers have been America's most successful utopian society. While seeking harmony, order and perfection in every aspect of their lives, they built minimalistic furniture and buildings that influenced modern design. The Shakers wrote songs of exquisite beauty and danced to the point of ecstasy during their religious meetings. Inspired by this music and dance, choreographer Tero Saarinen created Borrowed Light, a dance piece about communal life and individual sacrifice. Shot in Finland and the United States, featuring interviews and excerpts from Borrowed Light, this documentary explore the cultural legacy of this religious group devoted to creating heaven on earth.

Power and Paranoia of the Third Reich

Oasisdefinitely

Charts the Mancunian rock band's journey from their early days to their debut world tour.

Biden's Decision

The inside story of Biden’s rise to the presidency, and the personal and political forces that shaped him and led to his dramatic decision to step aside.

Wrecked a Bunch of Cars, Had a Good Time

In their documentary about four highly memorable participants in a demolition derby, directors James P. Gannon and Matt Ferrin justly celebrate the transcendent and communal pleasures to be found in smashing stuff into other stuff.

Rue du Conservatoire

In 1996 I took the conservatory exam. I missed it. A year ago I was asked to do a masterclass on acting in cinema. I went there. I met a lively, joyful and passionate youth. Among my students there was Clémence. The following year, she asked me to film their last show. I felt her urgency and the fear she had of leaving this mythical place. So I accepted.  By filming this youth, I revisited mine.

Okay, Joe! or the Memoirs of Private Guilloux

In autumn 1944, during the Liberation of Brittany, writer Louis Guilloux worked as an interpreter for the American army. He was a privileged witness to some little-known dramatic aspects of the Liberation: the rapes and murders committed by GIs on French civilians. He also discovered the racism of American military justice. This experience haunted the novelist for thirty years. In 1976, he recounted it in a short novel, "Ok, Joe", which went unnoticed. This film compares his account with the memories of the last witnesses to these forgotten crimes and their punishments.

The Cat: A Cuddly Killer

Cats are cuddly felines and lovely pets, but also highly evolved predators that hunt huge amounts of small mammals, birds and reptiles; perfect killing machines that threaten delicate ecosystems around the world.

We Have Our Own Song - The Music Movie

The film documents the alternative festival, made to protest against the Eurovision Song Contest held in Stockholm 1975. There are many Swedish and international artists on stage, as well as some clips from speeches, riots, civil wars, and the people at the song contest itself.

Colita: El viaje sin fin

The Making of "Tampopo"

Documentary about the making of Juzo Itami's film "Tampopo" (1985).

BROCKHAMPTON Live from The Chapel

Hip-hop group BROCKHAMPTON perform tracks from their sixth studio album ROADRUNNER: NEW LIGHT, NEW MACHINE.

David Harewood on Blackface

At its peak, The Black and White Minstrel Show was watched by a Saturday night audience of more than 20 million people. David Harewood goes on a mission to understand the roots of this strange, intensely problematic cultural form: where did the show come from, and what made it popular for so long? With the help of historians, actors and musicians, David uncovers how, at its core, blackface minstrelsy was simply an attempt to make racism into an art form - and can be traced back to a name and a date.

Afro Promo

Co-curated by Jenni Olson and the late Black gay activist Karl Knapper, this entertaining showcase of vintage movie trailers traces the evolution of African American cinema through its most crucial period, 1952-1976. Filled with insights on race and social dynamics, this fascinating compendium of coming attractions explores an extensive range of stylistic approaches—Blaxploitation, Comedy, Music Bio, Plantation Drama and more—offering an outrageous joyride through motion picture history. Beyond mere camp, these marvelously condensed gems crystallize a range of African American identities and personalities, tracking the meteoric careers of Sidney Poitier, James Earl Jones, Billy Dee Williams, Richard Pryor, Pam Grier and others through their bold performances in movies both hugely popular and practically forgotten. Afro Promo provides a compact glimpse at the representation of African Americans through twenty-five dynamic years of American cinema history.

Swallow

Swallow (Chinese: 小燕子-飞跃时空的精灵) is Zhao Wei's first album. The title sourced Zhao's first acclaimed role - Xiaoyanzi (小燕子; "Swallow") in My Fair Princess. In its first day of release, this album sold out 100,000 copies in Taiwan.

The New Nerd

This documentary looks at Black people's interest in comics, cosplay, and more and asks whether this is a new phenomenon or something not highlighted.