This peaceful camp protested the hard living conditions under Moroccan occupation and in favour of Sahrawi self-determination. This documentary shows how the Moroccan military dissolved it by force.
Many Saharawis are claiming to return to war in order to break the impasse of wainting during 40 years. However, the Sahrawi nonviolent activists argue that they are pushing Morocco to an untenable position. For them, the nonviolent action and the respect of human rights make Sahrawis part of the new world that is coming and also they are building a sane society. The documentary explores this debate with activists of the refugee camps and of the occupied territories.
Tell them I exist paints the portraits of Naâma Asfari, a Sahrawi jurist and pro-independence activist sentenced to 30 years detention in Morocco; and of his wife, Claude Mangin, who from prison visits to diplomatic meetings, from filing complaints for torture to shows of support, continues to mobilize and raise awareness of the situation in Western Sahara, and of the fate of her husband, in the hope of his release or at least a new and fair trial.
This film is about the suffering of Sahrawi youth in the occupied Western Sahara. It tells the tragic story of their lives under occupation, and how Moroccan authorities push them to risk their lives and leave their homeland on flimsy boats to flee from a life of repression, fulfilling Morocco's goal of emptying the territory of youth, who are the foundations of society.
In May 2005, after 30 years of Moroccan occupation, Saharawi students initiated a series of peaceful demonstrations demanding their right to the United Nations-mandated referendum on Western Saharan independence. The Moroccan authorities responded with a brutal campaign of repression, detaining and torturing human rights activists as well as Saharawi students and children as young as eight years old.
The former French colonies in Central and West Africa have been independent since 1960, but most of these countries still use the currency of the former oppressor: the CFA franc. It was linked to the French franc when it was introduced, so the national bank in Paris controlled monetary policy. Now the currency has a fixed exchange rate with the euro. The link with the European currency strongly influences the monetary policy of CFA countries. And that means the value of the CFA franc is defined by political decisions taken elsewhere, rather than by the domestic economy.
DESERT PHOSfate is an artist film that tells about the impact of phosphate on the Sahrawi community and its fate, including the surprising emergence of family gardens and their knowledge of how to farm in the desert without the processed phosphorus that had caused the dislocation of the Sahrawi nomads from their homeland of Western Sahara.
Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.
This documentary shows the torments and comrade disappearance ocurrences in the Moroccan Occupied Western Sahara through the eyes of Yahia, a young Sahrawi person living in Barcelona. It tells of the the precarious living conditions in the Algerian refugee camps and the situation of immigrant Sahrawis in Spain, the old colonizing power in Western Sahara. Similar to the majority of young Sahrawis, Yahia has come to the conclusion that after so many years of supporting the pacifist route, war is the only option for the Sahrawi community to regain their territory.
The documentary #FreeSultana, tells the story of a Sahrawi activist who has been under house arrest for a year with her entire family, without a court order. During this time, the Moroccan paramilitaries have destroyed her house, stoned, assaulted, raped, poisoned the Jaya sisters.
An international team of 4 friends undertake the Plymouth to Dakar Challenge a ‘banger rally’ which annually shadows the route of the Paris Dakar Rally. They acquire two old Mercedes vans and take a 3 week route through Spain, Morocco, Western Sahara, Mauritania, Senegal and Gambia. They arrange to transport prosthetic limbs for a Bristol based charity to a clinic in Gambia providing help to amputees. Interviewing a number of experts on the 30 year conflict between Morocco and the Saharawi natives, they arrange to meet with Saharawi ‘dissidents’ in the Western Sahara to expose their oppression by Moroccan authorities who they claim are occupying their land and profiting from their national resources.
A documentary about the situation of the saharawi people in the refugee camps of Tindouf through the life and participation in the 2019 Sahara Marathon of the saharawi athlete and political refugee Amaidan Salah. An amateur documentary made using only a cellphone.
Documentary that explains the current climate of political turmoil in the north of Africa caused by the embedded problem of the decolonization of Western Sahara. A region on the brink of war. The responsibility of Western governments and social media, especially France and Spain, whose foreign policy based on economic interests puts on the background moral principles. In the case of Spain also its responsibilities as administrator of the territory which has triggered a situation of chaos and violence. The film describes the current situation of Western Sahara in its three conflict zones, presents its protagonists and denounces the informative silence condemning the Saharawi people to the oblivion.
The narrative of resistance of Sahrawi poet Jadijetu Alaÿat flows against the background of raveling images from an unknown land.
Drawing from the inspiration of their grandmothers, singer Aziza Brahim and activist Senia Abderhaman wrestle for the independence of their people from a brutal and corporate backed Moroccan regime using culturally derived methods of music, poetry, and nonviolent resistance.
How would you claim your identity in a hostile land? How could you live under harassment and repression? How would you make your voice break through the walls of silence? Sahrawi young people living at the Occupied Territories (O.T) are required to study at the occupying country. But a river resonates all over the desert...
The film follows a couple of young boys in the Saharian refugee camp „February 27“ located in the bleak desert area of southwestern Algiers. One by one, they ran away from the occupied part of Western Sahara. Music is their only weapon in the everlasting struggle for freedom and independence of their own country – Western Sahara.
After the military occupation of Western Sahara in 1976, Moroccan government attacked the civil population with hard repression, forcing hundreds of Saharan people to “disappear” in clandestine jails. An invisible and slow death was the only horizon. However, some prisoners were able to survive after suffering their own “extinction” for more tan 10 years, ripped from their families, suffering torture, in total isolation. When they finally were released, their known world had changed radically.
The film, shot in the Saharawi refugee population camps, tells the story of a group of students from a film school who, for their final year project, decide to shoot on the Wall of Shame erected and mined by Morocco, in the middle of the current war that is being waged after the breaking of the ceasefire by the Alawite regime in November 2020.
In Hassaniya, the mother tongue of the Sahrawi people "Chabiba" means youth. In the Sahrawi tradition conversations, revolves around a good tea. According to the usual three Sahrawi teas.El take first tea is bitter as life, the history, the life of this people is bitter, because they were first colonized, abandoned, busy and eventually went to war with a neighboring country. The second sweet tea like love, the sweetest part of this conflict is the international status because all international law states that the solution to the conflict goes through a referendum. The third area is soft as death, remained behind war, armed struggle, we are in a part of the struggle of the people much smoother, as the third tea.