We observe the daily routines of an elderly couple. Within the quiet flow of time, a longing for youth and irretrievable memories begin to surface. This piece reflects the sorrow hidden in the stillness of old age and the deep yearning for the past.
Baki Gök
as Self
Aysel Gök
Kang Aries and Kang Oca are two cultural observers of Kujang who try to provide a justification perspective on the Kujang Philosophy made by one of the blacksmiths named Abah Jajang, where the general public often considers that Kujang is a sharp weapon. The two of them "Kang Aris & Kang Oca" entered the realm of the trial to defend the essence of Kujang, so as not to be considered misunderstood by the general public.
This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.
A reflection on the beauty of the roads less traveled.
An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.
Exploration of the ordinary lives led by women of different classes—a college professor, an unmarried woman, and a seasoned drama artist. They unveil the societal intricacies woven into their social backgrounds, with typical evening talks besides them. Gripping tales of yore immersed in the metaphorical embrace of their surroundings, their familial shelters are emblematic of resilience and protection, where profound truths lie hidden within the depths of the commonplace.
Confined within the repetitive monotony of his home, Ricky grapples with a pervasive sense of aimlessness, questioning the very essence and purpose of existence. Driven by an internal struggle for meaning, Ricky ultimately decides to break free from his passive routine.
A sock puppet explores a family history told from the perspective of a mother and father.
Cosme and Monica live with their children and grandchildren in Bahia de Kino, a fishing town in the northern State of Sonora, Mexico. They used to call themselves predators of the sea until one day they became unable to kill a sea turtle. Submerged in a crisis, they embark on a journey to try to save their way of life and of their fishing town through the creation of an environmental community group in charge of protecting sea turtles.
Genova, Italy. Francesco, Luca and Raffaele are almost thirty years old and have a baggage of anxieties that they try to drown in alcohol and late-night outings.
A quick view of three remarkable organic gardens: Le Tomple, Le jardin du Mas d’Abri in the department of Gard and Le jardin des Sambucs in the department of Hérault. The film goes over their general layout along pathways amongst the vegetation, ponds and people or animals that happen to be there at the time.
The study of the artistic work and its relationship with the author generates reflections on the connection between the material and the spiritual. The Dance of Icarus is a poetic documentary that offers an open space for reflection, like a tribal dance. Through the effort, passion and imagination of the artist José Benítez, the pictorial process becomes a profound relationship between the artist and the canvas, raising unanswered questions about creation. This documentary, loaded with symbolism, invites a total immersion in the creative process. Directed by Jesús Jiménez, this debut film is presented as an expressionist work that celebrates art in its purest and most visceral form, exploring the dimensions of artistic creation and its impact on the viewer.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
A generational trauma through the lens of an Asian American teenager through food and poetry.
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
Seoul, 1996. Wastewater from developed film reels is dumped into the sewers. From this toxic discharge, a monster awakens, carrying the memories of countless movies imprinted on the film reels. Burdened by a vanished past, the monster wanders the city.
One filmmaker's exploration of natural light in California and its influence on people's lives.
Dream and deficiency, a letter without recipient.
WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.
Miška is 20 years old, and she has a dream of living in Prague. While coming along her journey, we find out more about her mental health and her love life
