Can You Feel It Now?

Gandahar

On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.

Go Tell It To The Mountain

In Go Tell It to the Mountain, the speculative realms of archaeology and forensics intersect with these rumours. The word-of-mouth stories blur the boundaries between reality and myth, between the presence of human and animal. The video installation invites audiences to explore her intangibility and anonymity in a secret valley where all gossip distorts. Rumors nurture this creature. Different voices guide you. She is ever-changing. ‘Go Tell It to the Mountain’ follows a mystery about a bird-woman living in the deep in the forest. The mountainserves as a backdrop where rumors are shaped, distorted and reborn. Whispers weave a narrative that grows on its own. This sculptural installation invites people into her timeless surroundings. By digging into the earthy surface, We encounter a possible hybrid bird-human in an eternal space, remnants of her existence and gossips perpetually surrounding her.

KT4RS3

Emergence

From turbulence to stillness, light and matter pass through a succession of transformations. Amid shifting particles and luminous forms, chaos gradually gives way to revelation.

So Closely Far Away

Inspired by the works of Jonas Mekas, Chantal Akerman and Angela Schanelec, Ive made what is my longest film diary so far. One that spans my two week vacation out to the New England region of North America. What i have here is another cerebral experience into a world that is so closely far away.

DEATH.

Visual poetry of what we perceive as death.

The Afterlife

A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.

From Salt to Soil

From Salt to Soil is hour long audiovisual project bringing together the sounds of USOF & Zarya with the words of Joana Coelho and Madalena Anjos, directed and edited by Léna Lewis-King. The film follows the landscapes from Barreiro to Crato, layered with notations, inner and outer worlds - tracing the geographic / poetic, with transportive and hypnotic sound scapes. It was made for the 2025 edition of Waking Life festival, where it debuted as the opening event for their cinema programme, Moonscreen.

To Cross; One Nail, Metal Spit

Filmed over a period of 3 years, this video work is a meditation on the borderline of the river Tejo, between Marvila and Barreiro. A psychogeographic piece that seeks out a feeling of doubt, inertia, and waiting. "Two sides, along the boundary line All the weight of the water above Metal arms extended to the heavens As if the sky was tilting to meet them And those giants again; Four by four . . . . all in a line, up against the tide."

Doina

Doina, a shepherd’s wife in ancient Romania, turns her daily routine into ritual. When nature foretells his death, her journey through grief blends realism, myth, and magic, where despair meets imagination.

Még

Kitchen Dialogue

A generational trauma through the lens of an Asian American teenager through food and poetry.

WINHANGANHA

WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.

The King and the Mockingbird

A young shepherdess and a chimneysweep plan to get married and escape the clutches of a tyrannical king in love with her, assisted by the guile of a cheeky mockingbird, the king's archenemy.

De let'en! - Da it'en!

A meditative depiction of a colonial villa in Mungo, Surinam, taken back by nature.

Flowers bloom prosperity, Clouds float with time

A three-screen video installation juxtaposing the Dutch sky, the artist's grandparents' apartment, and the cityscape of Changsha.

Paranoia

A mysterious light follows the surfaces of the virtual and tangible, the organic and inorganic and the habited and inhabited. A panoptic gaze is implied; one is never lonely, yet always lonely. An obscure reality is portrayed, shrouded with paranoia and superfluous information. Flashing cuts of vignettes appear, jumping between the virtual and tangible realm. The character, trapped in this reality, burrows into a state of complete apathy, growingly disoriented by the hyper saturation of superfluous information and paranoid atmosphere. Blank space, blank eyes, blank name. The viewers are invited to disorient themselves in this obscure world.

A puddle of water held in shape by my thoughts

"Water reflections are never static, its fluid form constantly plays with the light in new and totally unique ways. Trying to capture this process naturally leads to an imperfect representation. Embracing this, ‘a puddle of water held in shape by my thoughts’ plays with the materiality of the digital image with the border between digital grain and the movement of the water constantly blurring. This ongoing research project consists of clips recorded over the last two years. - During the Leaving Space exhibition (2024) the work was presented as an installation using an old LCD screen, a wash-stool and other spacial elements. The space where the screen was installed could only be observed from the outside through the glass doors but not entered.

Middelpolder

"Inspired by my countless walks in the Middelpolder, the video mirrors my text ‘Dream of a Dutch Sky’, unfolding the Dutch landscape through three different perspectives: the camera’s , the protagonist’s and the plane’s, capturing a wanderer’s stroll."

Rivers

"The river Lek reminded me of the river Xiang in my hometown Changsha. I had not been home for 3 years and one of the connections with home was the poems my dad wrote me every day via WeChat. The rivers seemed equally significant for the people in the Netherlands and in Changsha. They are both a romantic connection and an important symbol of daily trade and industry. In a Wechat session my father and I simultaneously read three pairs of poems we wrote for this occasion, he by the Xiang and I by the Lek. Giving the words to the waters that ultimately will meet somewhere in the ocean. The video shows fragments of the performance which took place at the same time in Changsha and Culemborg in June. The full-length documentation is presented as a dual-screen video installation. The three poems written by me can be found on the page "Writing"."