Samskara

Die Zeit meines Lebens - Dirty Dancing in Ost und West

In 1987, a small film distributor from Frankfurt/Main brings the film "Dirty Dancing" to West German cinemas against all negative odds. The film becomes the hit of the year, in complete contrast to France, where foreign films have a hard time against the local film landscape.

Death of Logic

On a voyage into the dark, we follow a man portraying an intens dialogue with the subconscious. A vignette into the process of looking inward, evaporates the ego and listens to what wants to be heard, on the road to letting go. A requiem for the death of the self.

Fainting Flicker

Two young strangers meet in Naples and begin to flirt and dance in the street.

"All -Singing All-Dancing" Before And After

The development of sound and song dance production techniques, and how they come together in 'Holiday Inn'

Gluttony

Gluttony is a haunting exploration of the devouring mother archetype, embodied by two twin dancers locked in an eternal cycle of consumption and dependency. Through visceral contemporary movement, the film unravels the tension between nourishment and destruction, love and suffocation. Inspired by the Ouroboros, the choreography unfolds in a labyrinthine setting, where the daughter desperately seeks escape, only to find herself inevitably drawn back. The visual language plays with the abject—orange gelatin evoking amniotic fluid, fractured reflections, and tactile imagery that blurs the boundaries between bodies. It is not just about gluttony; it is about inheritance, identity, and the inescapable hunger for connection.

Tutu Academy

At Tutu Academy, where tutus are the uniform, students of all characters (geeks to goths) express themselves through ballet—and bizarro hair. One odd day, a UFO lands and an alien enters the classroom. Eager to connect with the visitor who doesn’t speak earthly language, the teacher starts a dance conversation—followed by the entire class. At first, the alien struggles to learn the artful language, until he’s gifted a magical tutu. With fresh confidence, the green-hued stranger joyfully joins the dancing crew. But just as the bond deepens, the alien must return to his homeland. With bittersweet farewells, the UFO departs—donning a tutu too. On his planet, a stark contrast to Tutu Academy’s vibrant vibe, the alien proudly presents tutus to his commanders, where they dance in celebration of the newfound connection with Earth.

Magic Mike's Last Dance

Mike Lane takes to the stage again after a lengthy hiatus, following a business deal that went bust, leaving him broke and taking bartender gigs in Florida. For what he hopes will be one last hurrah, Mike heads to London with a wealthy socialite who lures him with an offer he can’t refuse… and an agenda all her own. With everything on the line, once Mike discovers what she truly has in mind, will he—and the roster of hot new dancers he’ll have to whip into shape—be able to pull it off?

21 Gun Salute

Bodies of Water

The film invites you to hold your breath and let yourself be transported and transformed by water in the company of curious individuals. At nightfall, they take over a public swimming pool. These bodies of water, immersed in the aquatic mass, transgress the limits of their natural environment and undergo a metamorphosis. They then engage in a contemporary dance that reveals them in a different light. The aquatic environment makes them supple and light, but also vulnerable and combative. This poetic, enveloping, and suffocating mass unites them, separates them, and constitutes them. The film explores the transformation of human bodies when they interact with water—a fluid and adaptable medium that simultaneously offers resistance. It plunges you underwater for an immersive experience that reveals a rare and otherwise inaccessible contemporary dance.

Core of a Nature

Experience a mystical journey through nature performed by a movement artist. Felix faces the whirling challenges of his inner turbulence with an emotionally charged dynamic, delicate strength, graceful dignity, as well as ecstatic devotion. Behold the fire dancer in the night.

When the Night Falls

The dance film When the Night Falls tells the story of a woman fleeing the horrors of a collapsing society in the near future. Along the way, she encounters people on whose trust her entire future depends on.

Help Me To Forgive

A short film about the the story of a young woman,Desiree, reflecting on the betrayal of her significant other and her struggle through forgiveness, healing, and restoration in their relationship.

Europe Endless

A day in the European Parliament and surrounding area. This dance film is inspired by the work and lifestyle of the Eurocrats in Brussel’s EU district and features five dancers. The characters dance, run and glide through the empty spaces in an atmosphere beyond time, decontextualized, in an architectural non-site.

Erosion

Erosion alludes to the process of shaping through which bodies are traversed. Time, as an agent of molding and unmolding human relationships, deposits in each encounter supported breaths, creating passages and possibilities of cracks for access to the other, in an attempt to avoid calcification.

Blossom

As the only flower Yağmur has on her balcony, a peace lily starts to fade away, her friend tells Yağmur an old myth: Peace lilies cannot blossom when they are alone. Yağmur and the flower start to share the same path when they both blossom out of their loneliness.

Private Flowers

In 1832, a Canadian infantryman at Fort York was hanged for making love with another man. The victim's rank was private and his name was Flowers. Private Flowers is a new multimedia installation and film that explores a dark chapter of Canadian 2SLGBTQ+ history.

Quem

The complex interaction between the different facets of an individual in conflict, where multiple personalities compete for dominance while the true identity seeks to assert itself. The work invites the viewer to reflect on the fragmentation of identity and the yearning for inner reconciliation.

Nuvem

NUVEM is a screendance piece created using the point cloud technique, exploring the boundaries of form and presence within digital space. Dispersed points are drawn to each other like suspended particles, guided by invisible forces that shape them into ephemeral bodies — cloud-bodies that emerge and dissolve in constant mutation. The work constructs a sensory landscape where movement is not only choreographic, but also magnetic. As if held in suspension by an unseen magnetic field, NUVEM invites the viewer to immerse themselves in this rarefied universe, where the body’s contours are volatile and time unfolds in slow, continuous transformations.

The Weight of What We Carry

Directed by Stephanie Kobes-Newcomb in collaboration with the dancers

A foreigner

Filmed on the Colorado College campus. Explores the relationship of performer to place.