Desilusión

365 jours

Exposure

Set in an alternate, post-apocalyptic 1976, a filmmaker follows a worn and disillusioned photographer who, despite the circumstances, continues to make pictures.

Salt Water Sympathy

Mr. Lobster visits a long-lost friend.

Birds go to die in Peru

First in “Film Letter” series, which explores unspoken emotions through a combination of archival visuals and personal letters that has been never sent.

o jardineiro - ou os equinócios de uma memória latente

Oliver, an elderly gardener with Alzheimer's, discovers a Super 8 film reel he recorded decades ago, during the early days of his relationship with Julia, his late wife. As he watches the images from the past, his memories blur with the present, and he finds himself torn between reality and the recollections of a love that still blooms in his mind. While searching for answers that never come, Oliver confronts the fleeting nature of life and the beauty of memories that withstand the passage of time.

Opaline

When teenage siblings shelter in their grandmother’s abandoned house from an exterior contamination, Opaline slips into her interior self. Shot in gritty black-and-white Super 8, the film takes us into a grungy spiral of dreams and paranoia. 

Mamanam

West Germany, Christmas Eve, 1971. 7-year-old Kimîa captures her family’s celebration through the lens of her Super 8 camera. But the mood changes when her mother, Hanna, discovers her husband’s plans.

50ft Or So...

A Cine-Poem. A journey through Paris. A memory film. Three stories, dedicated to one pioneer of cinema.

Fuel

A badboy meets his dream car...

O COCO

Skip Liberty: Shooting in Vietnam

Skip Liberty enlisted in the Army in 1968. During his tour in Vietnam he shot 3,100 feet of Super 8 film, over 3 hours worth. Upon returning to the states the film was placed in storage, Skip had never seen the footage he shot. Until now.

the lab

Observations of birds and other wildlife at the Cornell Lab of Ornithology, and a Forest in Ithaca, NY.

We Were the Scenery

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

The Busby & Me

Nearly twenty years ago Wade created a documentary about 'The Busby Stoop Inn', its ghosts, and its famous legends. After seventeen years the original 8mm footage has been found and Wade returns to Thirsk to tell the story.

The Butcher Filmmaker

This is the story of Roger, a former pork butcher, who worked for 40 years in the beautiful town of Beaune in Burgundy. Since he retired, he has started a new life as a filmmaker: Roger films only on Super 8. Insects, birds, everything he can find in the countryside are his favorite subjects. His short films have won prizes all over the world, some of them have been shown during the Cannes Film Festival. Josette, his wife and number one fan, happens to work for him from time to time.

giiwe πρό bizhiw / bizhiw πρό giiwe

Made as part of the Winnipeg Film Group's "Super 8 Special" film incubator. This picture was captured on super 8 film, drip dyed with a mixture of india ink and water collected from Lake Winnipeg, then digitized and captured on VHS.

The White Stripes: Under Blackpool Lights

Concert footage of The White Stripes recorded in January of 2004, featuring tracks from the band's four studio albums as well as live favorites like the Dolly Parton cover "Jolene"

Exorcist

A SOV remake of The Exorcist, made by children.

Blanquiados

Peronoise is a being who tells us a story, who proposes the senses as currency instead of using Argencard or Mastercard, who presents and provides emancipation as a path, who establishes a Ministry of Hearing, who announces that we can dance, that it's a party!, whose enemy is Dr. Mutantis, the white male patriarch of holy causes from the Austro-Hungarian suburbs.

An Unholy Dance

Every winter, a small town in Castilla-La Mancha called Luzón transforms into a little hell. Its inhabitants, dressed as devils, venture into the darkness and roam its streets with horns, bells, and smeared with soot. Una dança non sancta could have been just an anthropological documentary. Instead, it delves into the inferno with the town’s residents to participate in and immortalize this unholy ritual.