An experiment with three dimensions in a moment of clarity: the focus of the camera's lens towards the present, the speed of the train and the material world distorted by the movements of the train.
Adolfo Kaminsky started saving lives when chance and necessity made him a master forger. As a teenager, he became a member of the French Resistance and used his talent to save the lives of thousands of Jews. The Forger is a well-crafted origin story of a real-life superhero.
Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.
A short documentary about a Korean high school student preparing for the most important exam she will ever take, an eight hour long college entrance exam.
Sunday roast. Citizens. Bills. A Priest. A restaurant visit. Swedes. Visa. Coffee break…. But do you really believe that these olives are Italian? Svea and I is an experimental documentary wondering about Sweden today and what privileges, norms and jargon that the citizenship causes.
A poetic journey through the paths and places of old Castile that were traveled and visited by the melancholic knight Don Quixote of La Mancha and his judicious squire Sancho Panza, the immortal characters of Miguel de Cervantes, which offers a candid depiction of rural life in Spain in the early 1930s and illustrates the first sentence of the first article of the Spanish Constitution of 1931, which proclaims that Spain is a democratic republic of workers of all kind.
Short documentary about social and economic situation in Galicia (Spain) in 1936
Documentary - Short Film
Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.
Two filmmakers journey to Arizona's Sonoran Desert to find bufo alvarus, a psychedelic toad. TOAD TO NOWHERE is a documentary about healing, hallucinogens, and looking within to explore the unknown.
Pereda returns with a small, mysterious and moving tribute to Chantal Akerman, conceived as a series of joyful impossible letters addressed to the great disappeared from the cinema, to answer her fictional question about renting her bright apartment in Coyoacán.
"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement."
As one of Germany’s beauties, the river was the gem of German landscape. But with industrialization it became the country’s hardest working river and like everything that has been overworked, it lost it magnificence and charm. Due to tender love and care, the river is now a reigning example of one of the most successful and outstanding renaturation projects in the country.
May 2017. As the new President of the United States takes his ease in the White House, the city of Breaux Bridge, Louisiana, is the theatre of the mythic Crawfish Festival. It's just another day, in America.
A dazzling journey through time via the remarkable images of National Geographic photographer Frans Lanting and his epic "LIFE" project, which presents a stunning interpretation of life on Earth, from the Big Bang through the present.
“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton