Beatriz Arjona
as Adela
Antonio Navarro
as Fernando
Sofia Lagos
as Lucía
Pedro Casablanc
as Doctor Álvaro Comillas
Eladio, hunting estate keeper, takes a bribe from a veteran hunter. Weeks later, his whole life falls apart. What looked like the opportunity of a lifetime, turns into a macabre descent to hell when he finds out that his misfortune might not be entirely by chance.
A French writer documents the seductive power of the beautiful Carmen, who has enchanted José, a young soldier, awakening his most fervent passions leading to tragedy. A path chained to obsession, jealousy, betrayal, and blood.
Nora and Tamara are two sisters who survive in a working class neighborhood of the coast. In the midst of a troubled adolescence, Nora's fragile relationship with the world around her is affected by the criminal environment in which her older sister lives.
José María "El Tempranillo" fleeing from justice, takes refuge in Sierra Morena. After a period of hard learning, he becomes the leader of a group of bandits.
Andalusia, Spain, 1840. After three years of wandering, Salva, who works as an assistant to a blind knife sharpener, returns to Seville, his hometown, where he meets Carmen, a gypsy woman with a captivating voice.
On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.
A small village in Huelva, Andalusia, Spain, 1936. Higinio and Rosa have been married only for a few months when the Civil War breaks out. Higinio, being afraid of possible reprisals from the rebel faction, decides to use a hole dug in his own house as a temporary hideout.
Toro (Spanish for "Bull") is a young con man and the right hand of Romano, a powerful mob boss in Torremolinos, Málaga (Andalusia, south to Spain). After Toro decides to leave Romano to get a life free of crime, his last sting fails, resulting one of his brothers dead and he sent to jail. Five years later, Romano realizes that López, Toro's older brother, is robbing him money from his tourism business and he orders to kidnap Diana, López's little daughter, until this one get back the money. Without options, López visits Toro, now a touristic driver with the third grade prison close to get the parole, who only wants to be free to marry his girlfriend Estrella. When Toro accepts to help López and both meet Romano looking for a solution, Toro ends attacking Romano's men and fleeing with Diana, trying to escape from Romano's revenge. But Romano starts a ruthless searching for they three, meanwhile Toro counts the hours to back the prison according to the third grade...
Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.
The life and adventures of Pedro Becerra, a generous-hearted Andalusian bandit, and the account of his troubled love story with the beautiful Margarita…
Combining modern footage with home movies and interviews, filmmaker María Casado's life is explored, focusing on themes of family, history, and belonging, with a particular emphasis on childhood experiences related to home.
Antonio, in what seems to be his last days of life, remembers a Holy Week from his childhood, in a remote village in Cordoba. Seven days that made him the man he is, and the child he cries to become again. A letter from an adult mind, in memory of the past.
A murder is committed in a small village of Andalusia.
San Fernando Island, Cádiz, Spain, 1860. Lola embarks for Sanlúcar de Barrameda to go to the estate of Don Diego, a rich landowner who is in love with her.
The landscape of the olive grove is the protagonist of the Mediterranean territory and is shown in this documentary at ground level and from a bird's eye view, in different unique locations of the Iberian Peninsula. From the Somontano de Barbastro in Aragón, to the south of Andalusia, with a sea of olive trees, in the mountain ranges or in the fertile plains and riverbanks. A humanized territory that, for centuries, has been sculpting history and this, not only giving a characteristic identity to our landscape, but also outlining the gastronomic tradition and culture of the Mediterranean.
Tres pescadores barbateños, Manuel (Pablo Carbonell), un hombre bueno al que apodan "Nadando con Chocos"; el Perra (Pedro Reyes), su amigo fiel, y El Cherif (Antonio Dechent), un paria iracundo y orgulloso, intentan sobrevivir como pueden a pesar de la crisis pesquera que vive la costa gaditana.Un día Manolín (Andrés Rivera), el hijo de Manuel, llega a casa con un problema más: quiere hacer la comunión. Algo que provocará más de una sorpresa. Primero porque no está bautizado y segundo porque sus padres ni siquiera están casados. Contagiados por la ilusión de su hijo, María y Manuel deciden ordenar su vida y casarse. María lo organiza todo: arregla con el singular cura del pueblo (Paco Vegara) para que oficie la ceremonia, busca los trajes, invita a los vecinos... Pero claro, no hay boda sin convite. Y eso cuesta dinero. ¿Cómo conseguirlo?
