Gael Klemm Veríssimo
as Vinicius
Mariana Ferraz Menuci
as Tatiana
Pedro Henrique Dihl Passos
as César
Catarina Nunes Mezacasa
as Helena
Rafael Reimião Difini
as Pai
Giulia Werle Folle
as Mãe
Jules Walters' unhealthy obsession with vampires leads to his dismissal from school. But when he steals a bat from the local zoo, his obsession may lead to his demise.
A faithful adaptation of the classic tale portrays Dracula as an old man who grows younger whenever he dines on the blood of young maidens.
At an abandoned cinema, an undying desire unravels. A surreal, lustful dance to the music of Public Memory.
This is the story of an isolated Alaskan town that is plunged into darkness for a month each year when the sun sinks below the horizon. As the last rays of light fade, the town is attacked by a bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the small town's husband-and-wife Sheriff team stand between the survivors and certain destruction.
A real estate agent leaves behind his beautiful wife to go to Transylvania to visit the mysterious Count Dracula and formalize the purchase of a property in Wismar.
Count Dracula, a 15th-century prince, is condemned to live off the blood of the living for eternity. Young lawyer Jonathan Harker is sent to Dracula's castle to finalise a land deal, but when the Count sees a photo of Harker's fiancée, Mina, the spitting image of his dead wife, he imprisons him and sets off for London to track her down.
Vampire Horus Jaxon has broken he peace treaty between his kind and the werewolves, igniting a war between rivals.
When most of the population of Earth is infected by a virus and transformed into flesh eaters and blood drinking creatures, a group of hunters lead by Tao and his sword chase the vampire zombies to eliminate them. Six non-infected survivors try to find the exit of an abandoned hospital crowded of the infected creatures. Meanwhile, the military is ready to bomb the whole area.
Wisecracking reporter Carl Kolchak investigates a string of murders in Las Vegas and suspects the culprit is a vampire. His editor thinks he's crazy and the police think he's a nuisance, so Kolchak takes matters into his own hands.
Transylvania. Seventies. Mina and Lucy, two friends very attractive, they are mysteriously drawn into a surprising and terrifying story whose protagonist is Jonathan Dracula, a direct descendant of Count Dracula.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious clientele.
Three college buddies travel to Key Largo for what promises to be the best spring break ever... until they end up stranded on a deserted island being hunted by starved, bloodthirsty vampires.
New Mr. Vampire 2, also known as The Funny Vampire, is a 1991 Hong Kong comedy horror film directed by Ng Kwok-Hao.
A vampire stumbles into a nightclub, and tries to satiate his new blood lust while struggling to adjust to his supernatural disposition.
A man who serves in the war between the forces of Light and Dark comes into possession of a device that can restore life to Moscow, which was nearly destroyed by an apocalyptic event.
Single father Aaron fights to save his 12-year-old hemophiliac son after becoming infected with vampire blood.
Anna and Tom are ready to declare their relationship to Tom's father officially. But how can they explain to him that Anna and her "family" feed on blood and cannot tolerate daylight? In the chaos of the city of Tirana, their relationship is put to the test, along with the inevitable sacrifice.
A grieving sister reaches out to a mysterious detective to investigate her brother's strange disappearance.
Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.