We are following Henriksson during Riksteaterns tour with Eugene O'Neill's classic family drama Long day's journey to night; from the premiere in Klinteham. And it is both a journey in the theater work and a journey in Henriksson's life.
Krister Henriksson
as Self
Grynet Molvig
Alexander Jubell
Tobias Aspelin
Eva Dahlman
A retrospective of the work of the late actor Warren Oates, with clips from his films and interviews with cast and crew members who worked with him.
This documentary short introduces us to the Caravan Stage Company, the world's only horse-drawn open-air theater. Every summer it tours British Columbia and Alberta, bringing live entertainment to communities where television is often the main diversion. In a montage of short sketches, the film shows the troupe on the road and in performance. Hard work and laughter are basic ingredients of this unconventional lifestyle.
With passion, wit, intelligence and attitude, an LGBTQ youth theater group creates a play about love in all its forms, while bonding together to make change in their own lives. With candor, they tell their stories through intimate interviews, entertaining and powerful clips of their self-written plays, and glimpse into their everyday lives. Members range from a transgender woman being kicked out of her home, to a runway model who likes men’s clothing, to an out gay man accepted unconditionally by his mother. The plays they write and perform are close to their experiences and not only provide catharsis but insight into what it means to be gay, lesbian, transgender, or just queer. It’s an inspirational work of art about the hardships one faces in realizing that they are different and the courage it takes to find the pride within that.
Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.
On the 45th anniversary of GrETUA – the Experimental Theatre Group of the University of Aveiro – photography and its subjects narrate a journey through the memories of generations upon generations who helped shape this space of learning and creation. "There is no birthday party, this is all a photograph" reflects on memory through the emotional language of these encounters.
From PBS - With unprecedented access, The Shaw Festival: Behind the Curtain captures the unique creative process of one of North America's longest running, most distinctive and exciting theatre experiences. Each year between April and October, the Shaw Festival--which began in 1962 with the mandate on works by George Bernard Shaw--presents around 10 plays on four stages that attract patrons from all over the world. Located in Niagara-on-the-Lake, Ontario, Canada--the Shaw's one-of-a-kind schedule has actors and directors working on several plays at once. Over eight months, crews design and build sets on a finely honed schedule that is both frenetic, creative, and amazingly well planned and executed. Follow the process of getting the play from the page to the stage as The Shaw Festival: Behind the Curtain provides insight into every aspect of production at a summer theatre festival.
Peer behind the curtain as a cast of neurodivergent teens prepare to come of age and hit the stage in their school’s time-travelling, John Farnham–themed musical.
From Italian set designer to Brazilian stage director, Gianni Ratto, born in Italy in 1916 and based in Brazil since 1954, retraces the geographical path of his life, accompanied by his daughter, passing through Genoa, Milan, Florence, São Paulo, and Rio de Janeiro, visiting places and people who marked his journey. At each encounter, Gianni speaks of his work and reveals the ideas of someone who not only executes but also thinks about theater from a humanist perspective.
Momofuku TV employs CG animation to look back at the history of instant ramen and tell the story of how Momofuku Ando overcame great adversity to achieve inventions of worldwide importance. The program presents the six keywords that drove Momofuku’s creative thinking in a fun and easy to understand way.
Beneath the soft glow of a theater stage, a conversation unfolds — an unraveling of stories tethered to history, shaped by places, and refracted through memory. Words echo silence as the stage becomes a mirror, reflecting what is seen, what is unseen, and what is felt. A contemplation of the liminal.
Documentary following the actors playing the role of Billy in Billy Elliot the Musical as they prepare for their West End debut.
