The Chosen One is questioned about his destiny to save the world from everything.
Ozcar Burfitt
as Den Utvalde (voice)
Lennart Ögård
as Förhörsledaren (voice)
A love story recounted not by them, but by their belongings and surroundings.
Carta ao Pai is an experimental film that tells the raw and sensitive story of a daughter who lost her father in a traumatic way and who sees the need to bury the past by telling him everything she didn't have time to say.
This is the story of a sailor. How he got lost at sea, and found his way back.
A chronicle of the lives of a couple and the gradual dissolution of their relationship.
Obsessed with understanding his Vietnamese girlfriend's final words before her suicide, a grieving young man seeks help from a therapist who speaks her language. Only to break down, as does meaning in the face of grief.
A woman attempts to save her relationship with a man by using an item from their past.
The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.
A girl spirals into insanity and enjoys it.
Sasha and Gretchen try to navigate through the surreal world they find themselves in after their parents' death. The two, very different, sisters confide in us during one morning of many; but we're not who needs to know.
Returning to his hometown one last time, a wayward love rat reignites friendships and reopens old wounds in one self-destructive weekend.
Kaito lost his sister who was his lover in his childhood. He severed all contact with the outer world for twenty years and devoted his time to writing down memories of his sister. One day, a week before the manuscript is to be completed, a woman visits his room. She burns all his papers and takes him to the city to cut him off from his memories. Nevertheless, Kaito cannot stop writing about his sister. The woman decides to lead him on a journey to ultimate hell.
Two young film enthusiasts from downtown São Paulo are doing a film rehearsal and, for the final scene, inspired by "The Man Who Left His Will on Film," they want to film a projection onto a woman's body.
To cope with a grieving process, Eli creates his own pink musical paradise, full of neon lights and a lot of gayness.
After an intruder infiltrates her apartment, Allie must deal with the remnants of painful memories that she refuses to accept.
A loop of a guy in Maine hanging out in his room.
An abstract exploration of memory and loss.
"After the experience of making the film for my thesis defense, and, of course, translating and working on the essay Amateur vs. Professional [Amateur Cinema], particularly Maya Deren’s definition of amateur cinema, it became a concern of mine. After a difficult year, I decided, based on a personal manifesto shaped by my surroundings [Paramedia], to make a film that I myself would like to see more of. A film created through image, montage, and the possibilities specific to the cinematic apparatus, with an emphasis on organicity. At the same time, it was a response to the question of mainstream cinema versus art cinema, and ultimately an attempt to arrive at a third option, one that is completely separate from those two modes of cinema: experimental cinema, structural, abstract, expansive, and so on. The final product was Me, I'm Not."
A solitary Frenchman seeks inspiration in a ruined duchy, meeting eccentric figures with their visions of art, madness, and myth. During 15 minutes he wanders across the broken edges of reality and sanity, he questions what form inspiration can still take among fragments of ruins and environment, as the viewer steps into his eyes and ears, discovering beauty within decay.
History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.