Matias Servian
as Daniel adulto
Stella Maris
as Mujer
Reclus Palmada Rozo
as Daniel niño
Santiago Rey Salazar
as Interrogador
Manuela Roca
as Notera
Yves Bashonga
as Médico forense
A man suddenly disappears after entering a university. The detective who began an investigation at the request of his parents falls ill by an unknown cause. It was caught on the surveillance camera that the detective set up for his investigation... The full extent of the horror is finally revealed!
Sebastian, a grieving man, takes a janitor job on a university campus. While monitoring students linked to a professor’s death, he uncovers a ghost story that may be more real than anyone believed.
While holidaying in Ireland, a pregnant children's author finds her mental state becoming increasingly unstable, resulting in paranoia, hallucinations, and visions of a doppelgänger.
Hestu and Akbar are twin brothers forced to reunite when their grandmother dies on a sacred day (Saturday Wage, the 6th of June at 6 o'clock). Grandmother's spirit haunts them and hunts them until someone accompanies her to the afterlife. The two of them are determined to wreak havoc in the village in search of this "companion" to save them from the terror of Grandmother's spirit.
A girl tries to escape her home as shadowy figures stalk her.
A woman wakes up inside a dark and very small place, which looks like a hollow. Flowers sprout from her body, roots come out of her hair and limbs and surround the space while climbing the walls and petals fall as she moves.
The 48-Hour Film Project is a wild and sleepless weekend in which you and a team make a movie—write, shoot, edit and score it—in just 48 hours. On Friday night, you get a character, a prop, a line of dialogue and a genre, all to include in your movie. Character: Kai Lee - Professional Chef / Line: “Well, who knew” / Prop: A Postcard
A contemporary high school girl hears voices and sees visions like Joan of Arc. She is torn between her commitment to a long-lost first love and her growing feelings for another.
After being abducted and taken to a desolate house, a girl sets out to rescue her friend and escape from their malicious kidnapper.
Debt-ridden pacifist Richard Fyre is propositioned to return to his abandoned mercenary ways by flamboyant zealot Priest to eliminate his international competition in exchange for a clean slate. Standing at a crossroads, he must overcome his fears of becoming the monster he once was to the rightful man he needs to be now before his indecision has dire repercussions for his family.
The Halloween ban is now lifted in Helen's Valley, and the sorority girls of Gamma Tau Psi place Michelle in charge of their annual haunted house. Unfortunately for Michelle some uninvited trick or treaters from her past come knocking.
Ben, a timid film student, decides to invite his new friends to make a documentary about a local legend. Little does he know that what he discovers while filming will be his worst nightmare.
Bea's web show is interrupted by some mysterious activity coming from the basement.
A short horror film made from the killer's point of view.
In an attempt to remind her family of their privilege and help them bond, Ms. Anna Barker invites Pilgrim reenactors to stay with them over Thanksgiving. When the “actors” refuse to break character, the Barker family learns that there is such a thing as too much gratitude.
After she becomes stranded in a small town, a young woman discovers her arrival there was foretold a century earlier by the town's founding preacher and that she is an integral part of his impending - and terrifying - rebirth.
Troma Entertainment presents a raunchy, blood-soaked tale of body image and self-acceptance. When a meat-delivery mix-up forces a pork-themed fat camp to kill and serve its longtime pig mascot for dinner, a swine-zombie outbreak emerges. An insecure camper must team up with her CIT bestie, her hunky crush, and a cruel counselor to escape so that they won't become bacon by breakfast.
‘This Place is a Sh*thole’ is a darkly comic horror short by Will Wightman that distills the agony of living in overpriced yet filthy shared flats. Shot entirely on an Insta360 camera, the film immerses viewers in a claustrophobic nightmare - where the chaos and grime of communal living spiral into something both horrifying and hilariously relatable.