An experimental home documentary where you step inside the director's lens. A journey through his childhood via his own early recordings, exploring the origins of his craft and how that child’s gaze is still there, captured in time.
Lucas Guio
as Lucas/El niño
An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.
An experimental short film about wind and sunlight sweeping across tree leaves.
A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.
In a record of images and sounds, a young HIV-positive man recounts his experience on the border between Argentina, Brazil and Paraguay.
Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.
A farewell to the amalgamation of memories that a family crossed by the passage of time leaves in Denia.
This is the story of Mr. Rafael Castrillon, a master toymaker with more than fifty years of experience and a former Mr. Peru in bodybuilding. His story is a one-way ticket towards the manufacture of the traditional (incomplete) wooden toy.
Soul Cage is a non-verbal documentary, which shows the process of creation. The specially composed music builds the dramaturgy of the film on equal rights with the image. This “cinematographic sonata” explores the boundaries of documentary and operates with details, shadows and mystery. The film gets inside the art process of Johanna Forsberg, who lives in the north of Sweden. From the raw metal mesh, cold and resistant, through the fragile moment of creation, to the darkness of the workshop – where everything is possible and the creations have their own life and souls.
A young man narrated the details of his dream from last night to his father about the celebration of demonstration, anger, and graduation.
A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.
A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.
A concert film documenting a performance from the Houston artist Orpheus Von Doom.
Angolan director and screenwriter Pocas Pascoal reminds us that it’s time for a change, proposing through this film a look at colonialism, capitalism, and their impact on global biodiversity. We observe that the destruction of the ecosystem goes back a long way and is already underway through land exploitation, big game hunting, and the exploitation of man by man.
An exploration of memory after death.
Morgana is a filmmaker who has found in experimental cinema a powerful voice capable of encapsulating the most abstract notions of her identity, unfolding in an amalgam of textures, colored lights, and wildly extravagant music. An intimate portrait of a filmmaker, but above all, a dear friend.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
