A wounded woman is capable of much; a swarm of well organized and motivated women can do much more.
Belén Cruz
as Nita
Iñigo Aranburu
as Rafita
Sandra Ferrús
as Marisa
Fariba Sheikhan
as Aicha
Amaya Quiroga
as Lola
Lorea Intxausti
as Daughter
Three women navigate their way through life and love.
The Philippines, 1902. The land is raw, wounded, occupied. Smoke clings to the trees. Blood soaks the soil. The war is over – but the violence lingers. Widows fill the villages. Mothers vanish into silence. Among them walks Sisa, barefoot and broken, dismissed as mad by those who fear what they don't understand. But madness is only the surface.
Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.
New York cop Frank Serpico blows the whistle on the rampant corruption in the force only to have his comrades turn against him.
A woman takes time in private on a tiny island in Helsinki to contemplate a loss that has caused sudden changes in her life. This tragedy has challenged her to see the world in a different light. A light that is driven by a force of nature.
After Maribel Cruz Mejía's death, all that remains is a recording. Through it, a woman tries to preserve the memory of the greatest love of her life and of the person she once was.
An experimental essay film reflecting on love, temporality, memory, absence, and living with HIV.
Against the backdrop of Nigerian burial traditions, a widow and her three children struggle with the noise of public spectacle that isolates them in their private grief.
On her walk home, a young woman senses a man behind her. What follows is a tense, internal journey, exploring shared fear and the emotional toll of constant alertness.
In a recording studio, five mothers read the testimonies of other anonymous mothers and open up, laying bare their regret about motherhood. On an imagined island, these five mothers are locked away in an open-air prison. They are under surveillance and forced into hard labor.
A young actor plays a rude, obnoxious, know-it-all in a film who, after losing her job, sets out to 'teach the world a lesson.'
Ten girls are waiting for arrival of the train. We find out from the conductor that it is delayed indefinitely. We spy on the girls from the outside and they figure it out. While they are telling their stories, sharing their problems and concerns, we are all waiting for the train. Will the train arrive? Where are they going and what are they really waiting for?
Average Texas teen, Billie Jean Davy, is caught up in an odd fight for justice. She is usually followed and harrased around by local boys, who, one day, decide to trash her brother's scooter for fun. The boys' father refuses to pay them back the price of the scooter. The fight for "fair is fair" takes the teens around the state and produces an unlikely hero.
In an insurrectionary climate, four twenty-year-old friends talk about politics. As a big protest looms, one of them, Clara, has to write a college essay. Caught in the virtual images and the comfort of her bedroom, going out is harder than expected.
Fresh off a winning case that brought her unwanted internet fame, a rising ADA learns of the district's most respected judge allegedly assaulting her best friend. She starts a case but is surprised to be met with resistance by the district attorney who mentored her, her best friend who questions the system and her motives, and the judge himself who knows her own dark secret.
Another Great Night follows Lia as she walks home alone after a night out, a journey fraught with risk and harassment. This film shows a condensed version of the many hazards that can befall women as they navigate often unfriendly and dangerous terrain, simply wishing to make their way home. Another great night? Well, that depends on your perspective.
Inside a block of flats, a young woman decides to act about something concerning her for a long time.