Giuseppe Milazzo Andreani
as Self
Made in Bletchley is a short documentary portrait of Bletchley Boxing Community Hub, a grassroots club in Milton Keynes where discipline, dignity, and belonging are sparred for as hard as any title. Through the eyes of its founder, its young boxers, and the families in the corner, the film captures a community that refuses to let its kids fall through the cracks. What begins as a gym becomes a second home — a place where identity is built punch by punch, and where the ring is the smallest part of what's really being fought for.
Can you be accused of being close to ‘ndrangheta families if you have pursued a career in the name of legality? The case of Ambrogio Crespi is much more than a judicial case; it is the answer to these unthinkable questions. It is the paradox that becomes reality. Accused of external complicity in mafia association, he is arrested and tried for having provided votes from mafia circles to a councilor Lombardo… never seen, never known. Although it seemed clear even to the insiders that Ambrogio Crespi was not involved in the charges, the first degree ends with an incredible sentence of 12 years, double the request of the same PM. A sentence that, like a guillotine, weighs on the life of Ambrogio and his entire family.
A docufilm exploring the life, philosophical thought and spiritual journey of Blessed Antonio Rosmini.
One of the top high jewellery maisons accepted to open its doors to our cameras. We'll follow Lucia Silvestri, a passionate gem hunter and creative director, on an exclusive journey along the stages of high jewelry creation. From the search for finest gems in India, to collaborations with influential celebrities such as Zendaya. A unique discovery of high jewelry secrets.
A short documentary that brings light to the experiences of those who live with hidden disabilities. Through eight heartfelt interviews, participants share their struggles, strengths, and realities of their everyday lives.
A 26-year-old taxi driver drives towards the Hjälstaviken nature reserve and never comes home. A week later, the police make a macabre discovery: he is found dead, hanging from a tree. Suspicions are directed at five young people who were in the area. A 15-year-old girl had previously reported him for rape. Leif GW Persson examines the case and the legal proceedings.
The morning calm is broken in Skultuna and Rönnby in Västerås when a VMA is sent out and residents are asked to stay indoors. The police are hunting a 38-year-old suspect after two brutal violent crimes. A child calls 112 and says that his mother is being attacked. Shortly afterwards, a woman is found dead in her home. Leif GW Persson examines the case and the legal process.
In the vast fields of Altai, a territory at the other end of the world, some isolated teenagers search for meaning in their life. The possible answers seem doomed from the outset by a time without utopias. Though there is still poetry; that of words and that of images.
Whether it's the appalling conditions in turkey fattening, the massive use of antibiotics in poultry farming or the improper killing of cattle - meat producers are under fire. In addition, feed exports from third world countries lead to hunger and misery there and meat exports to Africa destroy local markets. Filmmaker Jutta Pinzler spent over a year researching around the world. Her footage shows the devastating consequences of mass meat production.
There are many myths surrounding the Hanging Gardens of Babylon. Previous excavations have not led to an answer to the question of exactly where they were located. Thanks to the extraordinary findings of scientist Stephanie Dalley, it is now possible for the first time to determine exactly where the legendary gardens were located, what they looked like and how they were built. The Hanging Gardens of Babylon are the only one of the seven wonders of the ancient world for which no archaeological evidence has yet been found. For the documentary, Stephanie Dalley from Oxford University traveled to a dangerous, terror-stricken region in northern Iraq to gather evidence for her new theory about the true location of the gardens. Stephanie Dalley assumes that the gardens were built a hundred years earlier - 700 years before Christ - and by the Assyrian king Sanherib instead of Nebuchadnezzar II.
More preoccupied with "history" than Wu's other works, My Time in the Red Guards is a record of his fascination with the missed moment, Mao's Cultural Revolution. In 1966, the Red Guards ironically represented the official avant-garde, a movement carried forward by youth determined to become heroes of the Revolution. Wu interviews people who had joined the Red Guards as high schoolers, most now successful professionals, some Party members. The miscalculations and cruelties of this extreme cultural campaign are spread out before us, detailed by personal recollection and further illustrated by old agit-prop newsreels. Misgivings and fond remembrance vie for position as the interviewees seem to confuse the nostalgia of youthful action with the excesses of historical fact.
