L’esclavage au cinéma, la fin d’un tabou ?

Le Diable noir

Los Palenqueros du Pacifique colombien : cinq siècles de solitude

Vers la seconde abolition de l'esclavage dans les colonies françaises de 1802 à 1848

La Liberté générale : chroniques de la 1ère abolition de l'esclavage 1794-1802

Terre marronne

10 mai Africaphonie

La Route des abolitions

La Couleur de l'esclavage

L'esclavage à Bourbon

Le souvenir dans la peau, esclavage en terre normande

Lo Chan Lo Bassin

In this short film, in search of a cinematic grammar more in tune with Creole imaginary and oral tradition, we follow Ondine's quest. She returns to La Réunion after an absence of four years, because her Pépé, a local zarboutan, is dying. Just as she has to say goodbye, Ondine has a strange encounter in a pond.

Au nom de nos ancêtres, esclaves et négociants

Ne suis-je pas ton frère ? La Société des Amis des Noirs 1788-1794

Agents of the Shadows

Thirteen intelligence agents who have worked on secret missions for Frances DGSE tell their accounts of recruitment, training, and their fears and victories of acting undercover, as well as the effects on their private and personal lives.

A Gamer's Life

Go behind the scenes to uncover the truths of being a professional gamer for a living. Can you really make a living from being a gamer?

Imperfect Journey

Haile Gerima and Ryszard Kapuscinski travel around Ethiopia talking to people about their current situations and what needs to be done for a prosperous country.

Images of Women of the Social Corset

A man asks himself about the image of women who are offered for his gaze. A documentary about the image of women in fashion, film, and life.

Fontelonga

Fontelonga is a village of Trás-os-Montes, in the interior of Portugal. A mirror of exile in the eyes of their own people. A reflexion where memory is the last object of beauty and redemption.

Cinéastes de notre temps : Erich von Stroheim

How I Learned to Love the Numbers

A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.