Meet the Istanbul drag artist defying exclusion, claiming strength, identity, and resistance on the city's streets by day.
Florence Konstantina Delight
as Self
The true story of the students of Brigham Young University's queer underground, as they lit the school's iconic "Y" in rainbow colors. But, A Long Way From Heaven does a lot more than tell the story of the Rainbow Y. It outlines the history of queer treatment at BYU - the good (where it exists), the bad, and the very, very ugly. The film combines new, original footage with a huge variety of historical images, videos, newspaper articles, and other mixed media from every conceivable source to tell the story of BYU's queer students, and the bravery and risks they constantly take to make their voices heard.
A documentary that is a deep exploration of gender identity within the context of Greek society, providing a multi-layered narrative that reflects the experiences of individuals navigating the complexities of gender in a culture where these topics are still emerging. Over four years, the filmmakers captured intimate stories of people confronting their gender identities, revealing how personal, societal, and familial expectations shape their journeys. The documentary aims to challenge the traditional norms of gender and to give voice to those whose experiences are often marginalized. It marks a significant step in Greece’s cinematic exploration of LGBTQ+ themes and is a pivotal contribution to the global conversation on gender identity.
Phases of Matter follows living and inanimate residents of a teaching hospital in Istanbul, moving from the operating room to the morgue, between life and other states, the real and the virtual.
A sonic, surrealist narration in which the musicians fingers’ are the protagonists. Reflecting on common hierarchies and roles of the fingers when navigating through physical, digital and sonic realms, "Pinkie" is taking a perspective of deconstructing and reassigning them towards a queer, holistic reception of playing an instrument.
The rise and fall of the biggest star of travesty show in Prague in the nineties. The film tells the story of a man with shocking sincerity and openness in confession of two different personalities, woman and man living in one body.
Lesson from Our Garden tells the story of Mélanie and Lucie, a queer couple seeking to become parents. Through their obstacles, this film is both a story of love and resilience and highlights a journey that is often invisible: that of a lesbian, cis, and trans couple on a fertility path.
Keenly aware that his niece is going through a particularly rough time at home, Uncle James teaches Ava Dee how to use the Blackmagic Pocket Cinema Camera. As an experiment, he tells her to shoot whatever she wants and he'll edit it into a film.
The 3rd installment in James A. Burkhalter's QUEER ROOTS trilogy: After years of his mother begging him to do it, James decides to finally review and erase 10 years' worth of phone messages. It tells the story of James' "roaring twenties," constructed solely through the voices of friends, family, and lovers.
A prefabricated estate in Moscow is meant as a transit stop for four queer Cuban exiles – until Russia’s attack on Ukraine radically shifts their outlook. Moving telephone calls back home provide the structure of Luís Alejandro Yero’s debut work.
Between Us follows the multilayered stories of LGBTQIA+ Khmer and Vietnamese cultural workers in southern California as they contemplate the in-betweenness of belonging, healing, and carving out spaces of their own.
A documentary interview with Khookha McQueer a queer visual and performing artist, non-binary transgender activist. Active in raising awareness of the rights of people living with HIV. Discussing her personal experience, sexual health and people living with HIV’s condition in Tunisia.
A short film documenting street protests against the filming of William Friedkin's Cruising (1980)
Corrupt Colour follows childhood friends and self-proclaimed internet pop-stars, Emily and Gia as they set up their first live concert but their delusions of grandeur are compromised when the live show of their dreams becomes a nightmare. The show must go on and with the help of their closest friends, irreverent leads Emily and Gia are forced to reckon with their true place in the public eye. With poignant lyrics, loud personalities, and unique creative decisions, Emily and Gia take us on a hilarious and melancholy journey through identity in the digital age that leaves us all asking "who am I trying to be?"
Hard to imagine, but true: According to current estimates, out of 500,000 active male football professionals worldwide, under ten (10) are openly homosexual. While homosexuality hardly plays a role in other areas of life today, the topic seems to be completely taboo in professional football. The feature-length documentary THE LAST TABOO lets those who broke exactly this taboo tell their very personal stories alongside Thomas Hitzlsperger. Like the British professional footballer Justin Fashanu (*1961 in London; † 1998 in London), who broke this taboo for the first time in 1990 and paid for it with his life. His niece Amal tells his story. Marcus Urban, on the other hand, was about to make the jump to the Bundesliga as a teenager and, by deciding to come out, he also went against his big dream. The stories of the US professional Collin Martin and the British player-coach Matt Morton, on the other hand, suggest that normality is not far away.
Following the lives of Queer creatives behind Norwich’s queer collaborative ‘Stripped Sets’. We discover the reasoning behind the need for safe spaces, and the stories that come with them. Through live events, photoshoots and history, we see the process in creating such an important event.
An experimental short film made as part of a multi-media triptych, originally screened alongside a fashion collection and an art-installation. Drawing from Papa Yorick’s (Director and fashion designer) thesis “Men Are My Cumrag”, the film reenacts eight mainstay gay porn scripts, incorporating and parodying tropes and clichés, that explore masculine identities within the gay porn industry, through a satirical and critical lens.
A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.
While non-binary representations are rare, Lou talks about their relationship to gender, clothes, and other markers.