A look at the then brand-new Polynesian Cultural Center in Oahu, Hawaii . Established by the Mormons, the Center attempts to explain the indigenous cultures of Polynesia, New Zealand, Tonga, Fiji, Samoa, Tahiti, and Hawaii.
Gus Forsythe
as Gus Forsythe
Wendell B. Mendenhall
as Wendell B. Mendenhall
Jack King
as Jack King
Jack Regas
as Jack Regas
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
In the swirling volcanic steam and misty rain forest of Kilauea volcano’s east rift zone on the island of Hawai’i, two forces meet head on. Geothermal development interests, seeking to clear the rain forest for drilling operations, are opposed by native Hawaiians seeking to stop the desecration of the fire goddess, Pele. Pele is a living deity fundamental to Hawaiian spiritual belief. She is the eruption, with its heat, lava and steam. Her family takes the form of forest plants, animals and other natural forces. But geothermal development interests see Pele as simply a source of electricity. When Hawaiians take the issue to court, they find that nature-based religions are not respected by U.S. law.
Under a Jarvis Moon is a 2010 documentary film about the young men, mostly of Hawaiian origin, sent in the 1930s and 1940s to colonize the Line Island of Jarvis and the Phoenix Islands of Howland and Baker.
"Kon-Tiki" was the name of a wooden raft used by six Scandinavian scientists, led by Thor Heyerdahl, to make a 101-day journey from South America to the Polynesian Islands. The purpose of the expedition was to prove Heyerdal's theory that the Polynesian Islands were populated from the east- specifically Peru- rather than from the west (Asia) as had been the theory for hundreds of years. Heyerdahl made a study of the winds and tides in the Pacific, and by simulating conditions as closely as possible to those he theorized the Peruvians encountered, set out on the voyage.
Out of State is the unlikely story of native Hawaiians men discovering their native culture as prisoners in the desert of Arizona, 3,000 miles, and across the ocean, from their island home.
Pinky Thompson grew up in Hawaii during a time when one was punished for being Native Hawaiian. After almost losing his life in the battlefields of Normandy in World War II, Pinky brought his fierce energy to the arena of social service whre he championed a health care system, created invaluable educational programs and strengthened the pride of Native Hawaiians. Pinky fostered new methods of policy collaboration and community testimony. He elevated a new generation of Hawaiian leaders to represent the vibrant cultural identity and value system of the Hawaiian people.
A mother and daughter, estranged by divorce and mental health issues, reconnect through patience, understanding, and their a shared appreciation of their Native Hawaiian heritage.
Olympic Champion, Kiwi Icon, Tongan Leader, Orphan, Mother...winning was just part of the journey.
Atlantis is filmmaker Luc Besson's celebration of the beauty and wonder of the world beneath the sea, expanding upon themes touched on in his film The Big Blue. Combining stunning underwater cinematography and a hypnotic score by Eric Serra, Besson's singular vision defies dialogue or narrative structure to explore ocean life as you've never seen it before. Following the colossal success of The Big Blue, Luc Besson crisscrossed the world's seas and oceans to film the beauty and diversity of marine life: from the giant octopuses of Vancouver to the manta rays of the Pacific (New Caledonia), and the grey sharks of Tahiti. A film with no actors or sets other than the underwater world. A breathtaking view of marine species: sharks, dolphins, manatees, octopuses. An exploration of the seabed in the Bahamas, the Galapagos, Vancouver, and Tahiti.
Kalo (taro) production on each of the major islands of Hawai'i circa 1994. Meet the amazing people who love and continue to cultivate taro on lo'i that in some cases has been in the family for generations and centuries! Young, old, and family growers on Maui, Moloka'i, Hawai'i, O'ahu, and Kaua'i islands. Includes history/culture of kalo, Issues related to land and water, uses of kalo, and prospects for the future.
Journey to the seemingly idyllic world of Native Hawaiians, whose communities are surrounded by experimental test sites for genetically engineered seed corn and pesticides sprayed upwind of their homes, schools, hospitals, and shorelines.
Kua and Teriki will soon get married. They live on the distant Tureia island in the French Polynesia, Pacific Ocean and have just been told that something is wrong with their son Maokis heart. It is a consequence of living only 100 km away from the island of Moruroa, where France has tested 193 atom bombs for 30 years. Several of their family members are sick and Moruroa can soon collapse, which can lead to a tsunami likely to drown all of them. Vive La France is a personal and intimate story about harvesting the consequences of the French atomic program.
'Alofa’ meaning ‘To Love’ in Samoan, explores the the trials and tribulations of Samoan ex pastor Andre Afamasaga, who fought to reconcile his faith, culture and sexual identity.
Three great whites are spotted in the waters off Oahu, but another one could be lurking just below the surface.
A powerful film about the struggle to maintain Pacific Islander culture and values within the Westernized society of modern day Hawaiʻi. It is told through the lens of an extraordinary Native Hawaiian who is both a proud and confident māhū, or transgender woman, and an honored and respected kumu, or teacher, cultural practitioner, and community leader.
From 2019 Maui Film Festival This powerful documentary celebrates the historic Malama Honua Worldwide Voyage that connected countless individuals and communities from around the globe. A voyage that also represented the fulfillment of the vision of Nainoa Thompson and his contemporaries, the passing of the mantle to the next generation of kanaka maoli who will retain the skills of their ancestors and perpetuate this tradition for generations to come so the legacy of Hokulea can last for 1,000 generations.
