A cinematic rebuild of Joe Dante's classic 1990 film, brought to you by a collective of 18 rogue video editors from Aesthetically Nostalgic on a mission of maximum chaos.
Damon Packard’s re-work of William Girdler’s JAWS rip-off GRIZZLY is truly a labor of love. Expanding on the original with alternate cuts, added footage, and an “enhanced” mix, Packard adds a huge dose of hilarity and gore – most notably with a much louder guttural bear groan every time the classic Bear-POV cam appears, making its unnoticed approach on helpless campers even more hilarious. Whether you’re a fan of the original or a newcomer to GRIZZLY, you’ll find something to love here. Crack a cold one, sharpen your pencils and don your camo for this “extra scary” redux.
A mysterious killing spree ignites suspicion among three former classmates who have rekindled a love triangle in their hometown on Halloween night.
Give yourself over to absolute glitch.
Remix of Matilda (1996) by 14 editors.
it's the ultimate rush: a radical video remix of Kathryn Bigelow's Point Break (1991), edited by 23 outstanding artists of marginalized genders
AGFA’S SPECIAL CHRISTMAS SPECIAL is a brand new, feature-length mixtape culled from the tinsel-strewn video vaults of the American Genre Film Archive (AGFA). Beaming with deranged holiday cheer, this compilation wouldn’t feel out of place on a broadcast from the TV station in VIDEODROME.
In the wake of the 1916 Easter Rising, a married schoolteacher in a small Irish village has an affair with a troubled British officer.
Ode to Dorothy reexamines the relationships of the main characters in The Wizard of Oz, revealing these relationships to be much more complicated and dark then we first understood as children. Comprised of footage from The Wizard of Oz and Meet Me in St. Louis, two musicals starring Judy Garland, the tape takes existing, iconographic images and reinterprets the footage to create an alternative narrative to the original storyline intended by L. Frank Baum.
A person shaken by the catastrophes of the world cannot let go of their chaotic thoughts until they find a bond that was once lost.
An experimental video essay which uses circles and waves to explore neurodivergent experience.
Waves is a romantic drama about the intimate relationship between Ross & Sofia - two old friends passionately in love yet life's cultural, geographical, and emotional obstacles get in the way.
Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.
A remix film combining elements of found footage and structural filmmaking by combining Humphrey Bogart's quote from Casablanca with found footage of explosions, emphasized by repetition.
A wave of memories about her grandmother's departure is finally explained for Florence.
A radical video remix by 15 video artists.
It is cold and dark. In between surreal waves and the morning haze, we catch a glimpse of the emerging glows. The sea breeze wiggles and writhes, twisting and turning, embracing the shore under its steady growl. And on the sand, a young man stares into the far end of the ocean.
A collaborative project by 10 editors -- a remix of the animated Animal Farm (1954) meshed with Animal Collective's music.
A radical remix of Academy Award winning documentary Winged Migration (2001), edited by 7 bird-loving video artists