A personal film on love, loss, and time. Through fragments of home, old footage, and found sounds, the filmmaker traces his mother’s quiet transformation and the fading world of his childhood—a tender reflection on memory and change.
Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.
A short documentary on the "Harlem Street Singer," blues artist Rev. Gary Davis. Features footage of his neighborhood, Davis talking about his upbringing, and two performances including "Death Don't Have No Mercy." Benefiting from New York's folk revival in the 1960s, Davis influenced artists such as Dave Van Ronk, Bob Dylan, and the Grateful Dead.
A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lappish wilderness.
Haskell Wexler revisits the themes of his previous work "Medium Cool" on the occasion of the Occupy demonstrations in Chicago in 2012.
What is it like to be HIV-positive in Russia? The authors of the film spent several days with the HIV-infected characters Alexandra and Olesem and made a film about how they live. This is a kind of chronicle - the characters in the frame live their lives. Moments of sadness, moments of joy. They live as they know how and as they really live.
As a major storm strikes Texas in 1900, a mysterious televisual device is built and tested. Blake Williams’ experimental 3D sci-fi film immerses us in the aftermath of the Galveston disaster to fashion a haunting treatise on technology, cinema, and the medium’s future.
A watchman at an apartment complex in Assam, India, spends an ordinary evening. A surreal, expressionistic landscape unfolds.
Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion
A Hong Kong Newt once resided in a narrow irrigation channel, believing it would be confined there forever. However, an unexpected flood swept it away, carrying it through a dark passage until it arrived in a serene, azure pond. The newt found companionship among its kind and thrived in the aquatic haven. But as it ventured back onto land after the breeding season, it encountered unforeseen threats.
Documentary talking about bravery in the context of Green Lantern, the hero, and the Green Lantern Corps.
This film was originally made for the International Conference on Human Settlements (HABITAT) which was held in Vancouver, Canada. Taking as an example the production and marketing of bananas and the prevailing conditions in the world market - dominated by the virtual monopoly of three multinational companies -, it is shown how as a result of this monopolistic domination, the Costa Rican State has stopped receiving equitable taxes for what that, in the end, the housing and public services offered by the country are characterized as those of an underdeveloped society. The attempt made since 1974 by a group of banana-producing countries, aimed at improving sales prices to multinationals and raising taxes; The resulting “banana war” are examples of the enormous efforts that small banana countries have to make to achieve greater justice in the prevailing market conditions.
Narrator and director Michael Schaap's confessional style and general goofiness bring levity to an awkward topic: "erectile dysfunction" and the little blue pill that treats it.
The 360° project tells the story of a peaceful environment featuring a rare case phenomena where a swarm of butterflies is nurturing itself by eating the nectar of flowers showing the beauty but also the fragility of a complex ecosystem. The video installation is configured to work as an interactive 360° experience where the spectator can view the untouched nature by moving / grabbing / touching the nature by his/her hands (mouse) but offers also the possibility to be screened large scale as a flat video loop on a wall, building or in cinema.
Paleo is a video clip shoot at the famous homonymous music festival in the French canton of Vaud in Switzerland, where many hippie-techno-pagans gather every summer since 1977. The editing style is a tribute to the reworking of psychedelic theories and the New Age proliferation within rave culture in the early 90s from the perspective of the late second decade of the new millennium. In the footage, the ritual ingestion of psychedelics is symbolically replaced by a liberating dance through a powerful fast montage that epitomizes the frenzy of intoxication achieved through psychedelic plants. A revival of a revival of a revival.
(Always) Next to Me is a 16mm film that pairs abstract sequences of plants developed directly on the film emulsion with intertitles briefly describing what was going on for me personally at the moment the plants were collected. I started the film at the beginning of the pandemic, just after I found out I was pregnant for the first time in April 2020 and finished it just before the birth of my baby in December of the same year.
To fly a – way from/out of death, don’t hire a taxidermist but take a ride in this taxidrome! Series of 41 Moving Images - this analogy is possible being conservation at its core rescuing what really matters in the world, like nature, habitats, science and art. It is vital. Yet in a continuously changing environment, the flipside of conservation becomes and here it is where the vital feature of conservation becomes its lifelike trait, a fictive life, a fake life. The embalming process consists of 1) imparting a balmy essence to the dead body, as in the ancient world, 2) by filling its blood vessels with formaldehyde to prevent putrification, as in the modern world, although recently with more regard towards more natural treatments, as for instance in bio-art. To embalm also means to “preserve from oblivion”, and “to cause to remain unchanged”, “to prevent the development of something”.
Explore timely, personal stories of LGBTQI+ families who strive to build lives in their communities despite biased legislation and mounting prejudice.
A kinetic prayer and structuralist intervention. Shot entirely on an iPhone 11 in a desolate Midwest laundromat, 108 spin documents the mechanics of impermanence. The film shifts from heavy turbulence to suspended repetition—not as a path to completion, but as a study of the loop itself. Featuring a layered soundscape, the work asks the viewer to stare into the rotation until the noise becomes a mantra.
