Sum 41: Introduction to Destruction

Echo of the Mountain

Echo of the Mountain takes a look at the life and work of Santos de la Torre, a great Huichol artist who, like his people, lives in oblivion. Despite having made a great mural for the metro station Palais Royal – Musée du Louvre, Santos lives isolated and ignored in his country. This documentary follows his pilgrimage to Wirikuta, where he asks gods for permission to make a new mural; his journey across 385 miles of the Peyote Route, and Santos's creative process during the making of a new mural which aims to illustrate the history, mythology and religious traditions of the Huichol people.

If I Had Four Dromedaries

Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image.

Legends of the Knight

Legends of the Knight weaves together the stirring true stories of individuals who have overcome devastating obstacles, unselfishly given to the community, and embraced their inner superhero because of their love of Batman. Through the deeply personal tales of Batman fans, writers, and filmmakers, this feature-length documentary explores the power of heroic stories and encourages viewers to find their own unique path to heroism. Funded by over 1,100 people from around the world, Legends of the Knight is a return to our childhood dreams of being a hero. Put on your cape, and be inspired!

Exode

Local Band

Lyla Riley is in a punk band -- Minor Illusion. They suck. Regardless, she perseveres with her best friend Rob on guitar, numbskull drummer Sean and showboat bassist Pete. Minor Illusion's pathetic existence vexes Lyla's older sister Stephanie, a former punk turned 9-to-5 suit. Through lineup changes, borrowed cash, shitty gigs and drunken nights, Lyla and the band journey through the perils of Chicago's DIY music scene to get their shot at adequacy.

Unrest

When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s "all in her head." Determined to live, she sets out on a virtual journey to document her story—and four other families' stories—fighting a disease medicine forgot.

Nas: Time Is Illmatic

Time Is Illmatic is a feature length documentary film that delves deep into the making of Nas' 1994 debut album, Illmatic, and the social conditions that influenced its creation.

Appalachian Journey

Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.

You're So Cool, Brewster! The Story of Fright Night

An extensive look at the making of Fright Night (1985) and Fright Night Part 2 (1988) featuring exclusive interviews with cast and crew members, rare photographs, behind-the-scenes footage and more.

The Fight for Saturday Night

Michael Grade tells a tale of television skullduggery and dirty dealings in the battle to win the Saturday night ratings crown.

What Difference Does It Make?

A documentary that explores the challenges that a life in music can bring.

Toypunks

Toypunks is a documentary film series covering the converging world of Japanese toys, fashion and punk rock. Exploring the birth of the designer vinyl explosion from its roots in character culture and punk music, Toypunks takes you in-depth with Japanese fashion icon, Hikaru Iwanaga, creator of the worlds first designer toy. Frank Kozik, Hiddy Kinoshita of Secret Base, Balzac, Three Tides Tattoo and more are interviewed highlighting profound cross-cultural connections between todays top creative talents in toys and fashion.

F1 How It Was

"‘F1: How it was’ is a thrilling, action-packed, insightful documentary into some of the sport’s finest races, despite the lack of budget or theme, Duke Video deliver on providing fans with an entertaining documentary that would make the perfect gift this Christmas." - Joshua Suttill, www.readmotorsport.com

There Is No Authority But Yourself

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

A Documentary on the Making of 'Gore Vidal's Caligula'

A Documentary on the Making of 'Gore Vidal's Caligula'

SLC Punk

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

We Were Feared

We Were Feared chronicles the rise and fall of the Cuckoo's Nest punk rock club. Hailed as the birthplace of slam-dancing, the Nest famously shared a parking lot with a cowboy bar and the mayhem that would ensue when both clubs emptied was immortalized in the Vandals' songs “The Legend of Pat Brown” and “Urban Struggle.” Featuring interviews with the people who populated the scene, archival images of gigs, and live performances by Black Flag, the Circle Jerks, & T.S.O.L.

Großes Kino made in DDR

In 2016, DEFA celebrates its 70th anniversary: the film embarks on a journey into the exciting film history of the GDR. In a comprehensive kaleidoscope, the importance of DEFA productions is illuminated, the relevance of the films as propaganda productions for the GDR, which socio-political themes were in the foreground, but also which heroes DEFA brought to the screen and celebrated as people from the people.