After a boozy night, Anne wakes up, except everything around her has turned into music… What happened? Accompanied by Pierre, her boyfriend who mysteriously started to talk in Italian overnight, they will try to unravel the mystery.
Agathe Boullyé
as Anne Cordier
Pietro Cannizzaro
as Pierre
Zacharie Lenglet
as Le pote chelou
Romain Clairenbeaud
as Le cousin Didier
William stands at the window telling Abigail his story of walking down 'the witches' path. The unseen spectral Abigail taunts William suggesting that he walked down the path hoping to see her. William does not contradict her, but instead recalls that just as he thought he had made it past, 'and then the girls appeared'. As the story continues in flashback, William discovers two drunk girls - Sarah and the very wasted Katrina - who ask for his assistance. Seeing the helplessness of their situation, William decides to help walk the girls home. William is slowly drawn in by Katrina first by her mindlessly echoing of 'Love me' and then by her demanding a kiss. William gives her a kiss at first reluctantly and then more passionately at her urging. Abigail torments the conflicted William telling him that the girls are really minions of the witches. As the trio approach Katrina's apartment, Sarah can only watch in fear as William becomes more physically possessive of Katrina.
Taken in by the musical world as a young orphan, Rick Martin grows up with a desire to play pure jazz instead of the commercial gigs he lands, whilst also coping with the problems caused by his tempestuous marriage to an aloof heiress.
Birth growing and gathering of a family which is not even an average one
Short aired during the Pippo Chennedy Show
Elmer Fudd introduces two pieces of classical music: "Tales of the Vienna Woods" and "The Blue Danube", and acted out by Bugs Bunny, Porky Pig, Laramore the Hound Dog, a family of swans, and a juvenile Daffy Duck.
Queer Duck and his partner of 18 months (a lifetime in gay years), Stephen Arlo "Openly" Gator, hit a relationship crisis when the fey fowl is wooed by a brassy Broadway broad. Queer Duck wonders if he'd be happier being straight, while Gator the waiter spills his problems to a compassionate Conan O'Brien.
Last production staged by Patrice Chéreau, this Elektra will remain as the main and most striking lyrical event of these last years in Aix-en-Provence. This production is leaded by three amazing singers: the German soprano Evelyn Herlitzius gave a tremendous, never-to-be-forgotten account of the title role, Waltraud Meier portrays a human and chilling Clytemnestra and Adrianne Pieczonka is a fantastic Chrysothemis. Everyone's loneliness and intimate struggles are Patrice Chéreau's favorites theatrical themes. With Esa-Pekka Salonen conducting the Orchestre de Paris, this production of Elektra becomes an unforgettable experience.
Red's peaceful morning routine is interrupted by a pesky visitor.
A poetic and nightmarish dive into the deranged mind of a psychotic little girl. Nina is 9 years old but isn’t like other little girls. Nina has two secrets, she has freed Tony the Monster who lives in the magical cave and she has just killed her parents.
By pure coincidence, Mia finds an enigmatic sketch book which leads her to mystical places. There, she gets to know the story of Vera - a story of old myths, of modern technology, and of escape and oblivion.
Jessica bumps into a man with half a million pounds in cash, Paul attempts a FaceTime date in a restaurant, and Mick the gangster debates America’s gun laws. Follow the lives of Londoners as technology and coincidence constantly interrupt them.
A poignant tale of longing and loss is revealed when a timeworn journal transports a young girl to a place of enchanting wonders.
Rahul and Anu Verghese meet on the same day, while both are held by the police on charges of creating a disturbance, and running away respectively. They meet again, and love happens. Rahul helps Anu to be independent, and seek a job. Then Anu is discovered by a talent agent to be a model, which she accepts. Rahul wants to marry Anu, but first must establish himself.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
A mother comes home to a trashed apartment and tries to figure out what happened...
16-year-old Mikey Alvarez finds himself at a pivotal moment where he must decide whether or not to be open and honest about what he is feeling inside. Not feeling quite ready for such a moment, Mikey unwittingly conjures courage from a trio of guides who appear in an explosion of glitter and glitz. Can a Drag Queen, an international pop star and an action film heartthrob tackle a mission this big and give Mikey the confidence he needs?
A group of teenage soccer players are abruptly interrupted by four boys who arbitrarily want to take over the field where the girls train every day, in the process the teenagers take over the field trying to deprive the young teenagers of the space where they train. The boys insist, the women do not allow their inclusion and propose a bet. The game begins, the girls see themselves dominant in soccer, at the end of the sporting confrontation, the boys lose and in consolation the girls offer to kiss them, revealing in the end that all of them are actually boys.
An all-star cast highlights this vibrant musical adaptation of Lewis Carroll's immortal tale. One day, plucky young Alice follows a white rabbit down a hole and discovers a world of bizarre characters.
