Jim, a journalist seeking the truth about the Babaylan in a cave who is presented by the media as responsible for the disappearance of a colonel in the area. As Jim wanders in the cave, he will find a truth that will set him free.
André Miguel
as Jim
Karl Medina
as Natoy
Rachel Du
as Leia
MJ Managuelod
as Babayblan
Serena Magiliw
as Babaylan
Jacq Nacu-Garcia
Unable to find a job after spending time in prison, Shawn takes work as an erotic dancer to support his daughter and falls in love with a man for the first time.
Three ancient heroes encounter the spectres of their dead loved ones and struggle to let them go.
Anna tells her girlfriend about the time she tried to read The Magic Mountain.
A sensual hommage to Germany's most productive queer filmmaker, Rosa von Praunheim.
Maurice plays a passive role in his life. He hides a truth that tries to get out, but when he opens his mouth, only silence comes out. Fed up with his inertia, Maurice tries to take control of his life.
Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.
Xe and Y cross paths by chance at the door of a café, in a meeting that feels as if it were written by fate. Between them, something is born that is as fleeting as it is universal — that rare instant when we recognize someone even before knowing who they are. Revois follows this encounter that could belong to any of us and that, perhaps — just perhaps — asks to happen again.”
Follows various residents of the Chelsea Hotel in 1966 New York City.
Coven of the Midnight Son is set during the era of The Salem Witch Trials and follows the story of two lovers from opposing worlds. Etho (Romelo Urbi), an orphaned witch who lost his mother to the trials, and Lucas (Jan Luce), a rebellious human villager whose father becomes the chief of the Witch Hunts, find their love tested by their circumstances. As they confront their own familial struggles, Etho and Lucas must also face the dire consequences of their forbidden love.
A young man recently released from prison attempts to rebuild his life after the death of his mother.
One last thing to share down at the river.
Some relationships need space.
Guided by a queer deity, a closeted man is forced to confront his parents as he tries to regain his lost sense of identity.
A woman reflects under the parapet.
In an anonymous city, a person collapses, appearing to have lost consciousness. Some strangers pass by, others embrace her. In a solitary quest for intimacy, blinded by a world of indifference, her gaze, her body are staggering.
A mother goes searching for memories of her son after his death and struggles with the truth she finds out.
After a woman comes into contact with photographs from an archive, she reflects on her existence through her memories and the memories printed on photographs.
When Mac, a young butch Latina, dies, her girlfriend, Hope, must overcome both personal grief and homophobic hostilities from Mac’s family in order to respectfully send Mac off into the afterlife as she would’ve wanted.
Created in response to a traumatic hate crime, artist, Venus Patel, explores her emotional journey through several archetypes, each of whom perform with an egg. Using the weapon of the assailant, the egg itself becomes a tool with many psychological and symbolic meanings within it. The power of reincarnation, birth, nature, hope while also pointing to the power it has to utterly humiliate and embarrass if used in a certain way. There is an embrace of the absurdity of these performances while still speaking to the deeper subject matter. By placing the outlandish characters into public spaces, they confront a preconceived notion of pushing true queer expression into only hidden spaces or only at night, into the daylight and into the normal everyday experience.