Hoeksteen van de Samenleving

Mother Land

When filmmaker Mari Soppela took her children and husband to live for a year on a sacred mountain in her native Finland, she was fulfilling a lifelong dream to share the arctic wilderness of her childhood with her family. But when years later her children turn the camera onto her, she is forced to confront her motivation for filming their lives in this searching and searingly honest cinematic exploration of identity, belonging and motherhood. Filmed over the course of 27 years, Mother Land challenges us all to examine the landscapes we carry within us and the narratives we create to make sense of our lives.

Kronika przypadków rodzinnych

Sookee

„Sookee - Von Seepferdchen und Schränken“ is an intimate portrait of Sookee, a queer-feminist rapper and activist, who has been fighting sexism, homophobia and racism in German hip hop culture.

Only in Theaters

ONLY IN THEATERS, a film by actor/director Raphael Sbarge, is an intimate and moving journey taken with the Laemmle family, spanning nearly three years of challenges, losses, and personal triumphs. Laemmle Theatres, the beloved 84-year-old arthouse cinema chain 3rd generation family business in Los Angeles, is facing seismic change and financial pressure. Yet the family behind this multigenerational business – whose sole mission has been to support the art of film – is determined to survive.

Drôles de familles

When comedians draw on the family to make people laugh, everyone is concerned. This documentary looks at everything that is horrifying or hilarious in the family: from the "new generation" fathers to the dictates of the perfect mother, as well as the taboos of parenthood, unmanageable teenagers, and unbearable mothers-in-law.

Charli XCX: The F-Word and Me

While touring to promote her second studio album "Sucker", Charli XCX tackles what feminism ('the f-word') really means to women in the music industry in a series of interviews with other pop artists.

André's Eyes

André's Eyes is an experimental docudrama in which the actual family members themselves participate in the recreation of their own story. Set in a small village in the Portuguese countryside, the film follows the struggle of a divorced father to keep his family together after his youngest son is taken away from them and placed in a foster family.

Filles et fils d'addicts

Kain Tayo (Let's Eat)

Kain Tayo follows Rica Piquan, the owner of Pamilihan Pinoy Asian Groceries, one of only two Filipino markets in Tucson, Arizona. Born and raised in the Phillipines, Rica’s lifelong passion for cooking inspired her next dream, opening a Filipino restaurant. She plans to share her culture and passion by the end of the year. While managing her grocery store seven days a week and building her restaurant from the ground up, she still finds time to cook for her family every day. Seen through Rica’s journey and her daughter's eyes, the film explores the resilience of an immigrant story and the rich traditions of Filipino food and culture.

Lenin Park

Antoin, Yesuán and Karla share a common memory of their last moment together in the amusement park Parque Lenin. When they lost their mother, four years ago, their paths changed radically. Antoin moved to France to pursuit his dream of becoming a professional opera singer, meanwhile Yesuán and Karla stayed in Cuba, trying to consolidate their new family roles.

The Bat Ear

Lucie was born with a protruding ear that she got from her mother. In this documentary she tries to find answers in her fathers' features.

Passeurs de vies

Looking for Simone

In 1949, philosopher and novelist Simone de Beauvoir wrote the groundbreaking The Second Sex, launching a disruptive discourse on women’s oppression and second-class citizenship. This film dissects the origins and relevance of this bible of feminism, charting de Beauvoir’s fact-finding journey across the US to research her book. The timely and fascinating film honors de Beauvoir’s brilliance and limitations, connecting her revolutionary ideas to the pressing issues women face today.

Roots

Twenty-one-year-old Julia had to leave her daughters under the care of a children's shelter house. Five years later, Julia keeps fighting to rebuild her life and get reunited with her daughters.

Stále spolu

Petr and Simona have been living together for twenty-five years. They have nine children, with whom they live in caravans on a meadow in Šumava – without television, computers, or running water. The authoritarian Petr calls himself a "professional father." He guides his offspring toward freedom and harmony with nature, while trying to protect them from the harmful influence of consumer society. The children only go to school for exams—their college-educated parents teach them at home. At first glance, the family cohesion, which is practically unparalleled in today's Western world, seems idyllic. Upon closer inspection, however, doubts begin to arise. The film Still Together explores the price of a free life outside of society and asks: is there a recipe for the ideal family?

Once I Got in, It Was Hard to Get Out

Ida is cleaning out the house that her grandfather, an artist, used to live in. She wades through a studio overflowing with artefacts, oddities and lost history. Similarly to S P A C E S, Štrbová treats the theme of memory and loss, combining fiction and documentary, letting the images of nostalgic childhood and the suffocating past flow associatively. To the sound of Francesco Geminiani's Concerto grosso no. 12, subtitled Madness, the fragile physicality of both dead and living relics stands out. The head of a dead parrot, a cast of her grandmother's breasts or a moss-covered real estate agent represent the discoveries of a personal archaeological site and exhibits of an introspective museum of family history.

Milestone No. 2

A documentary showcasing a family as they pack up their home of twelve years and begin looking towards the future.

Fancy Like Walker Hayes

The song "Fancy Like" was #1 in the US in 2021, taking off on TikTok and becoming the anthem of the year with an Applebee’s commercial. Walker and his daughter Lela (who choreographed the dance) explain how that song changed their lives. The documentary is the definitive story of Hayes' life, retracing 17 years of struggling with addiction and loss before this massive overnight success.