Aarhus Revyen 2026

Odense Sommerrevy 2025

Cirkusrevyen 2025

Huxi Bach - Ufatteligt

DR's store juleshow - 2025

Hjørring Revyen 2025

Anders Blichfeldt Julekoncert 2024

Nytårsfesten 2025

Trine Gadebergs Juleshow

Hjørring Revyen 2024

DR 75 år

TV-jubilæums show

The Idiots Who Started The Party

Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.

When Danish Film Crosses the Line

Sex, animal cruelty, Jesus and politics! Movies evoke emotions - some more than others. In this documentary, Maria Månson explores the Danish films that have outraged, angered, provoked... and have put Denmark on the cinematic map. This is a celebration of those who dared to step across the accepted border between good and bad.

Elvis Costello: Mystery Dance

Elvis Costello: Mystery Dance, the first-ever documentary portrait of one of the greatest musicians and songwriters of our time. Assured of Costello’s full collaboration, exclusive access to his extensive archive and with the full participation of his record company, the film is a definitive portrait of a major music icon.

The Ballad of Shovels and Rope

The tours and detours of a husband and wife as they create and release the critically acclaimed album, O' Be Joyful. From working for tips to becoming "Emerging Artist of the Year," the two-man family band uses ingenuity and hard work to create something out of nothing.

Lady Be Good: Instrumental Women In Jazz

Lady Be Good reveals the lost stories of female jazz musicians from the early 1920s to the 1970s. Narrated by musician-composer Patrice Rushen, the film charts the influence of female players from the struggles and successes of early innovators (Sweet Emma Barrett, Lil Hardin-Armstrong), through the rise of the all-woman big bands (Ina Ray Hutton & Her Melodears, the Hollywood Redheads), to the female musicians that were instrumental players (Dorothy Donegan, Mary Osborne) and arrangers (Mary Lou Williams, Melba Liston) for more famous male band leaders, including Benny Goodman and Quincy Jones. Unfolding over nine parts, director Kay D. Ray's debut film weaves provocative and often humorous interviews with female musicians, big band leaders, jazz authors, and historians throughout a film stuffed end-to-end with archival photos, recordings, and performance footage to create a documentary that restores an essential part of our musical history.

Arrabalera

Working-class girl marries rich playboy, gets implicated in his criminal activities.

Comedy Aid 2014