Chuva Ácida: Histórias do Crepúsculo de Cubatão

China Dolls

Aussie boys of Asian descent candidly discuss their status as a "minority within a minority".

The Outcasts

Roaring through the streets in dirty denims and leather, The Outcasts present a menacing appearance to the respectable folk of East Anglia. Theirs is an alternative world of wild parties, arrest and sudden death. This film shows a group most people would cross the street to avoid. It's a life which borders on the edge of society and the law, but one which is governed by strict rules and traditions. There are two faces to The Outcasts. One exists in the pounding of heavy metal music and the exhaust fumes of powerful customised motorbikes. The other lies in the day-to-day grind, where even Outcasts have livings to earn, children to feed and bills to pay.

The Illuminati Threat: Alien Aristocracy and World Domination

The future belongs to those who control it while humanity has begun to erode. Our every move is being monitored, every action controlled and freedom slips away as an insidious global plan has accelerated by a shadow Elite regime controlled by beings from another world wielding advanced technologies. Manipulation fuels compliance and fear keeps us in line, but as technology evolves so does the power of those who enforce it. The future is now - and it's not what we imagined.

8-8-88 Church of Satan Mansonite Rally

On August 8, 1988, the world’s first and largest Satanic rally took place. Ripped from a video featuring Satanist talking about creating a New World Order and killing off the masses. The 8-8-88 ritual was conducted right at the heart of the Satanic Panic. The goal, further exploit and feed upon the energies produced by the fears of the ignorant general public and media. It was shown to a sold-out crowd of degenerates promising them, “A Bitter Message of Hopeless Grief,” “A Nightmare of TERROR!” and “An Evening of Apocalyptic Delight!”

Paradise Morbid

Luto

Damian, grieving his girlfriend's death, travels through Mexico seeking solace. Along the way, he connects with strangers and witnesses their coping rituals, finding a path through his own memories and regrets.

American Hardcore

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

VALKYRIES

The New Gabbers

In "The New Gabbers" we follow three young gabbers in the run-up to hardcore festival Ground Zero in the Netherlands. The documentary paints a picture of the lively hardcore subculture through the personal stories of these 'new gabbers'.

Gothix

An innovative and charismatic influencer is suddenly exiled from her community of creative partners and colleagues when she states an opinion that she did not know was “unacceptable” in their eyes.

Style Wars

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

Death Metal Murders

Murder, rape, satanism and necrophilia is the staple diet of millions of teenagers who listen to the lyrics of extreme heavy metal music. This World investigates the potential links between "death metal" and a series of gruesome crimes around the world. In Italy a group of young death metal fans formed a satanic cult called the Beasts of Satan. At least four gruesome killings resulted. But death metal musicians deny that they have any responsibility for the actions of people who profess to be their fans. With exclusive access to the families, one of the killers and graphic police footage, the film tells the inside story for the first time. We hear from the musicians, the children and the parents from Oslo to California and ask just how far can music go in its ability to shock, and just how damaging might it be?

Berlin Utopiekadaver

A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.

The Writing on the Wall

"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'

Paris Is Burning

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

On The Go - Repeat Offender

Hip-Hop Culture and Graffiti Video Magazine

Sex, Death & Eyeliner

Documentary directed by W.K. Border, that which dives into the aspects of contemporary Gothic subculture, vampirism, and BDSM culture. Filmed in 1997 in California.

The Vandals

Report on vandalism

Spuren des Performativen

GDR August 31, 1985, Klubhaus in Coswig/Dresden - "Intermedia I - Farbraum/Klangbild"- the event was the first and, as it turned out, the last exhibition by the subculture in East Germany, in which over 40 visual artists and twice as many musicians, performers and super 8 film photographers participated. About 1,200 visitors travelled from all over the GDR to witness a six hour programme on both evenings. It remains unclear to this day how many informers working for the Stasi were among them.