Los nueve infiernos

Kidnapped: Elizabeth Smart

Elizabeth Smart's harrowing abduction at 14 from her family's Utah home unfolds through her own words and never-before-seen material in this documentary.

the Voice of God

If God came down to earth and try to earn a living in Bombay, most probably he would become successful as a voice over artiste, lending his voice to thousands of Hindi movies and even more documentaries and public service films in India.

Acid City

A dystopian future that’s ever nearer, Acid City floats in toxic waters and is left to its own devices. But under the boiling sun, the city weaves together its own social fabric. With audio recordings taken off the streets of NYC, this animation offers us something rare in the face of climate catastrophe: hope.

Belgium - 20

What happens when a world that relies on traffic and the logistics that allow it comes to a standstill? What happens when sickness and even death are taken from us?

Video Wall Installation of John Cage’s 4’33″

In February 2013, the New World Symphony presented Making the Right Choices: A John Cage Centennial Celebration, a spectacular three-day festival dedicated to the music and ideas of John Cage. As part of the festival, NWS hosted a new video installation entitled NWS: 4’33″, created by New York-based composer, director, performer and recording artist Mikel Rouse; which consisted of video performances contributed by Cage fans via a special YouTube site set up by Rouse. The public was invited to record and submit their own video, and visit the installation during the festival to see their work in the SunTrust Pavilion at the New World Center. These videos will be included in an online Archive of the event, a lasting tribute to this defining and seminal artist.

Let's Look at Water

This short documentary shows how a city's water supply is purified at a filtration plant. The complex system of the underground mains that supply all parts of the city with water is also illustrated, as is the safeguarding of water supplies on trains, ships and aircrafts.

Megalópolis

Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.

Istanbul: Chronopolis

Istanbul: Chronopolis is an experimental documentary that explores the city as a living organism where the linear flow of time is disrupted and the past and future coexist. Structured around a thematic cycle of birth, speed, and decay, the film uses rhythmic visuals and archival footage to bridge temporal gaps. Through a fourteen-minute mathematical edit, it replaces linguistic narrative with the evocative language of time-lapse and slow-motion cinematography. The project invites the audience to transcend chronological time and experience Istanbul as an eternal moment—an entity existing solely within its own timeless cycle.

城市印象：深圳

Belo Horizonte

A film about the planned city of Belo Horizonte in Brazil.

The Balcony Movie

Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.

Memorial

城市印象：深圳2

SOME COLORS

Appendix

An experimental film following a trip made by three friends in which the contrast between the agitated city of São Paulo, Brazil and the calmness of the beach leads the flow. No script. No story. Just vibes.

Mulheres Compositoras na História de Passo Fundo (MCHPF)

Lapsus

The relationship between the city and a car, through a dialogue where a common reality and "making a city" are disputed and revealed.

Portraits of Moscow Voyages: In Search of Laika

Exploring Moscow and paying tribute to Laika, the first dog in space.

1,2,3... Barcelona!

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.