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The Glass Wall

Peter Kuban, a Hungarian refugee, is about to be deported after jumping ship in New York harbor. He needs to find an ex-G.I. named Tom whom he helped during the war, as Tom can prove Peter's right to legal entry into the United States. If he can't find Tom within 24 hours and prove his case, he will be branded a fugitive and will be permanently disqualified for U.S. citizenship.

The Swissmakers

This romantic drama follows two policemen whose job is to investigate the lives of foreigners who have applied for Swiss citizenship. Among the applicants they must screen are a French psychiatrist and his wife, and a ballet dancer. The married couple are quickly accepted, but the dancer's life offers some objections. However, since the younger policeman has fallen in love with her, there is a chance that she, too, will win Swiss citizenship.

Tenemos una Voz!

Santiago Domingo is a child of an immigrant who is concerned about the recent changes on immigrants. As he retells the day where he found out these news.

The Vancouver Asahi

In pre-WWII Vancouver, second-generation Japanese immigrants had it tough. Daily, they faced discrimination, hatred and injustice at the hands of their Caucasian counterparts. But one thing made their lives worth living: baseball. They may be the underdogs, but the Vancouver Asahi baseball team have a sense of fair play and smart tactics that set them apart from the brute force of their opponents. Under the guidance of new team captain Reggie Kasahara, can they be able to rise above all the negativity to win the tournament? This film is based on the true story of Vancouver Asahi, the Japanese-Canadian baseball team that was inducted into The Canadian Baseball Hall of Fame in 2003.

Leili’s Photo

Eight-year-old Leili needs to take a pinhole picture of her family for school the next day, but her family will not cooperate.

Chile Lives

Artists in exile make visible the solidarity with Chile in the wake of 11 September 1973: a celebration of colours and shapes in opposition to the dictatorship.

Place publique

Revolves around Castro, who was once a very famous TV host, but as he grows old, his popularity is dwindling.

My Family

Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the '50s. As the second generation become adults in the '60s, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent.

Saffron Kingdom

After her husband is abducted in Kashmir, a traumatised woman flees to the United States with her young son to rebuild their lives.

Return Home

After the near death of her grandfather, Chinese Canadian filmmaker Michelle Wong embarks on a personal journey back home to her small town of St. Paul, Alberta to speak to her grandparents about their journey from China to Canada.

Polaris

Work. Eat. Sleep. And back to work. For a long time skippers in the North East of Scotland could not find locals to work on their fishing vessels. That was until Filipino fishermen started coming to town for work. Both nationalities strive to shorten the distance between two very different worlds.

Tinkebell - Who Killed the Blue Bird?

Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?

L'Autre pays

Displaced Perssons

Per Persson left Sweden 40 years ago. In Pakistan he fell in love and became the father of two daughters. Trouble starts when the girls grow up and the family decides to emigrate to Sweden. When they end up living in a caravan outside Hässleholm, all their expectations are dashed.

Fremont

Donya, a lonely Afghan refugee and former translator, spends her twenties drifting through a meager existence in Fremont, California. Shuttling between her job writing fortunes for a fortune cookie factory and sessions with her eccentric therapist, Donya suffers from insomnia and survivor's guilt over those still left behind in Kabul as she desperately searches for love.

Stand!

In post-World War I Winnipeg, a Ukrainian immigrant and a Jewish woman get caught up in a labour strike.

Somers Town

Two teenagers, both newcomers to London, forge an unlikely friendship over the course of a hot summer. Tomo is a runaway from Nottingham; Marek lives in the district of Somers Town, between King's Cross and Euston stations, where his dad is working on a new rail link.

Punks

The parents are at their wits’ end, so a temporary supervision order is the last hope for a group of teenagers in Punks. Now, on a remote farm in France, they’re going to have to get their lives back on track, with the help of a counselor. If they want any chance of a happy life, they need to engage in some frank and painful conversations. Mitchel has to find a way to get along with his father, but maybe too much has already happened since his mother died. Jahlano is already at the next stage: he’s no longer allowed to live with his mother, and needs to get over the disappointment. Mike, meanwhile, is struggling with his image as a boy who’s “got a screw loose.” Filmed in constant close-up by director Maasja Ooms, the teenagers try to tame their demons with music and therapy, but problems from the past keep resurfacing. In this intimate and sincere portrait, these troubled kids show us their most vulnerable sides.

Footsteps

In Footsteps, Fiona Tan creates connections between personal stories and the world around us. The footage shows children at play and Dutch windmills, but above all people engaged in heavy physical labour in the countryside and in factories. In a fascinating juxtaposition, she combines these images with excerpts from letters she received from her father just after she moved to the Netherlands in the late 1980s. Through his education in Indonesia, Tan’s father knew a lot about the Netherlands without ever having visited the country. In the letters, he meanders seamlessly between personal news and world events, such as the fall of the Berlin Wall and the Tiananmen Square protests in Beijing.