When Valerie meets her new classmate Sam, who lives just down the street. The two quickly grow close, but the choices they make together soon leave them facing consequences neither of them was prepared for.
Max Verschuren
as Sam
Isa Habets
as Valerie
Lieke Wolterbeek
as Natasha
Lynn van Lieshout
as Karin
Aram Sahakyan
as Anton
In a quiet Rajasthani village, young Ali clings to his cricket bat as his friends chase it. What starts as playful mischief reveals a film crew struggling to finish their shoot, blurring childhood and the fragile magic of cinema.
A Wounaan teenager and a leader of their community venture into the Darién in search of a sacred bird. Along the way, they will face the dangers that threaten their territory and their culture.
The story of the last 55 days of Aldo Moro, seen from the point of view of his students.
Set in a semi-urban coastal village of Kerala, “Beneath the Wings of Rosary Beads” follows a fishing community where faith and labor intertwine. Susan Maria, guided by recurring dreams of abundance, returns to the sea; Rosie anchors life in devotion; and Robert recalls a fading past. Through daily rhythms, memories, and conversations, the film explores belief, risk, and generational change, as faith continues to shape life by the shore.
A documentary on the life of the people of the Aran Islands, who were believed to contain the essence of the ancient Irish life, represented by a pure uncorrupted peasant existence centred around the struggle between man and his hostile but magnificent surroundings. A blend of documentary and fictional narrative, the film captures the everyday trials of life on Ireland's unforgiving Aran Islands.
For many years, images have not existed in the city of Arica. When a young local man receives a photograph in a parcel, he sets out on a search that leads him through landscapes and drifting thoughts toward the "Morro de Arica".
In April 2011, relatives and neighbors of the Dupont de Ligonnès family became concerned. The shutters of the couple's home had been closed for several days. On April 21, 2011, during a search of the property, police discovered five bodies buried under the terrace: those of the mother and her four children. Only the body of the father, Xavier Dupont de Ligonnès, was missing. He immediately became the prime suspect in the quintuple murder. Step by step, his route is traced. Soon, the fugitive's trail goes cold. His last sign of life dates back to April 15, 2011, when he spent the night in a hotel in Var. Since then, there has been no trace of Xavier Dupont de Ligonnès. An international appeal is launched.
Explores the life and work of the psychoanalytic theorist and activist Frantz Fanon who was born in Martinique, educated in Paris and worked in Algeria. Examines Fanon's theories of identity and race, and traces his involvement in the anti-colonial struggle in Algeria and throughout the world.
Reportage explores the relationship between death and storytelling through the lens of tabloid journalism in Mexico City. Following the journey of a single tragedy—from crime scene to printed headline—the film reveals how photographers, reporters, and press workers transform violence into narrative. Alongside them, a group of former inmates re-enact the crime, this time not as perpetrators, but as actors. In prison, they found a stage; through performance, a way to confront the violence they once committed.
A film about AI and a girl catching up.
In the 17th-century, St. Margaret Mary has been hand-picked by Jesus to be His special disciple of His Sacred Heart. Through a series of apparitions at Paray-le-Monial, Jesus reveals His Heart to her. Through the centuries, countless others have been drawn to encounter the transformative power and beauty of the Sacred Heart.
In Algiers, in June 1957, Maurice Audin, a 25-year-old mathematician, was arrested by French paratroopers. His wife, Josette, and their three children never saw him again. This documentary interweaves testimonies from French and Algerian protagonists: activists for Algerian independence, lawyers, historians, and military personnel. Drawing on the research of historian Pierre Vidal-Naquet, it blends archival footage, newspaper articles, books, drawings, and reenactments to reconstruct the context of this disappearance and denounce the torture and murder practiced in Algeria. Josette Audin is the central figure and the moral compass of this film.
An anonymous friend of filmmaker Océane Buxton notices her striking resemblance to Modeste Niquette, a missing woman he once knew. Modeste claimed recurring encounters with extraterrestrials, documenting them through photography before her unexplained disappearance gave her an almost mythical status. Together, Océane and her anonymous friend reconstruct a portrait of this ghostly figure through a docufiction collage of memories, images, and small-town gossip.
Jean des Bossons is a documentary-fiction which recounts the activities of a high mountain guide in 1947. Around Chamonix Mont-Blanc, the guide Jean des Bossons, interpreter by the mountaineer Armand Charlet, accompanies on mountain hikes, Jean-Pierre, an apprentice guide. The novice, skis on the shoulder, is already clumsy. The professional taught him how to travel on skis uphill and downhill, then mountaineering in ice and rock parishes. By dint of training, Jean-Pierre has made it his job. Guides are also lifeguards. A group went to a glacier to rescue a man who had fallen into a crevasse. During this rescue, Jean des Bossons is the victim of an accident. A drama that prevents him from practicing the profession, but not climbing. The man sinks into the fog and Jean-Pierre cannot find him.
Arlette appears three times. Something returns, something is missing. A resentment remains.
Sam, a young adolescent, visits his older sister Lina in Marseille for the weekend.
Presented as a kind of docu-fiction, the film shows training maneuvers by the young mountaineers of the Scuola Centrale Militare di Alpinismo (Military School of Mountaineering). Differents groups of rock climbers ascend the Winkler Tower and Torre del Vajolet. While ascending one of the towers, one of the climbers is attacked by an eagle that makes him fall and leaves him hanging on the rope. The film, produced in 1942 by the Instituto Nazionale Luce at the end of the Italian Fascist regime, was awarded in the Mostra Internazionale del Cinema di Venezia.