Madame Butterfly

Phantom

Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.

Ermione

Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache." Set in Troy after the city fell to the Greeks, the production recounts the rancorous battle between widow Andromache and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus

Acis and Galatea (The Royal Ballet / The Royal Opera)

The Royal Ballet and the Royal Opera collaborate in Wayne McGregor's production of Handel and Gay's classic opera, in which the nymph Galatea falls in love with a shepherd named Acis.

Rigoletto

A musical drama based on Giuseppe Verdi's opera Rigoletto.

Prodaná nevěsta

Set in a South Bohemian village, this faithful film version of Smetana’s opera follows farmer Krušina’s plan to marry his daughter Mařenka to wealthy Vašek. Mařenka loves Jeník, a stranger. Through matchmaking schemer Kecal’s plots and revealed identities, true love triumphs in a festive village wedding.

Attila

Carmen

A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.

The ROH Live: Carmen

The young soldier Don José intends to marry Micaëla, a girl from his home village. But when he meets the sensual and high-spirited Carmen, he sacrifices everything to be with her. Carmen grows tired of Don José and falls in love with the toreador Escamillo. Unable to bear her leaving him, Don José tracks Carmen down to a bullring where Escamillo is fighting and murders her.

The ROH Live: Lucia di Lammermoor

Lucia’s brother Enrico is horrified to learn she has fallen in love with his sworn enemy Edgardo. He hastily arranges her marriage to his associate Arturo. Edgardo and Lucia privately exchange rings before he leaves to fight in France. Enrico tricks Lucia into believing that Edgardo has been unfaithful. Longing for death, she signs the contract with Arturo – moments before Edgardo returns. Lucia murders Arturo in their wedding bed. His death is followed first by Lucia’s, and then by Edgardo’s.

Glyndebourne Live: Il barbiere di Siviglia

Figaro uses every trick he can muster to outwit Dr Bartolo and ensure his master wins his chosen bride. He meets his match in the would-be-bride Rosina, who has schemes of her own. Glyndebourne favourite Danielle de Niese adds the crafty Rosina to her growing list of bel canto heroines. Directed by Annabel Arden with playful energy springing from Rossini’s joyous music, this new production heralds the welcome return of a masterpiece not seen at Glyndebourne Festival since 1982.

The ROH Live: Nabucco

Nabucco, King of Babylon, takes Jerusalem in his war with the Israelites – but his daughter Fenena loves the Israelite Ismaele. She releases their prisoners, leading her vengeful half-sister Abigaille to plot to take power. Nabucco declares himself a god and is struck by a bolt of lightning. Abigaille tricks the now feeble king into signing a death warrant for the Israelites, including Fenena and Ismaele. Nabucco prays to the God of Israel for forgiveness; his sanity is restored and he saves the prisoners from death. He converts himself and his people, while Abigaille commits suicide.

Der Freischütz

Axel Köhler’s production of Der Freischütz at the Dresden State Opera was described by Die Presse as “a minor miracle in Dresden”. In the words of the Salzburger Nachrichten, Köhler “scored a bulleye” with his sombre and satanic interpretation of Weber’s Romantic opera about love, temptation, souls sold to the Devil, obsession andfaith. According to the Financial Times, Christian Thielemann and the Dresden Staatskapelle conjured up a sense of “mortal terror from the orchestra pit. […] Thielemann is in command of every detail. That makes for utterly gripping listening.”

Royal Opera House: Madama Butterfly

Cio-Cio-San, the young Japanese bride of dashing American officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return. Three years later, Cio-Cio-San and her little son see Pinkerton’s ship in the harbour. She excitedly expects his visit – but Pinkerton and his American wife Kate have come only to take the boy away, to raise him in America. Cio-Cio-San bids her son farewell and then takes her own life.

Orango

"Orango" - prologue to an unfinished opera by Dmitri Shostakovich (1906-1975), conducted by Esa-Pekka Salonen, performed by the Finnish Radio Symphony Orchestra and the Mariinsky Theatre Academy. In the 1920s, Soviet biologist Ilya Ivanovich Ivanov carried out a series of experiments to create a human/nonhuman ape hybrid. Three female chimpanzees were inseminated with human sperm. No pregnancy occurred.. In 1929 he organized a set of experiments involving nonhuman ape sperm and human volunteers, but was delayed by the death of his last orangutan.

Il Barbiere di Siviglia

Live performance from Zürich Opera House, 2001. “Vesselina Kasarova’s Rosina turned this Barber into a major event. Pearling coloratura, endless resources of vocal colour and nuance and phenomenal acting versatility became mere means to an end: that of making Rosina into a human being of flesh and blood, with heart, humour and considerable brains.

Verdi: Nabucco

Giuseppe Verdi's opera performed in 1998.

Funding

Vivian, Roe, JJ, Ines and a mysterious French man through a 20 year musical memory of New York City. As people and places in their lives drift away, visual impressions meld with sound and narrative stories to reveal a complex yet moving tableau. As the characters recall their own personal histories, conflicting images reveal their past, present and future.

Marcos Morau : La Belle au bois dormant

Mozart: Don Giovanni

Premiered in 1787, “Don Giovanni” exposes the timeless theme of a man hovering between vitality and destruction. Neither morality nor the law can stop this serial lover in his quest to conquer all women as he places his own pleasure above all other principles. Today, the rich depth of Mozart’s masterpiece still astonishes audiences with its mix of comedy and seriousness, pleasure and love, entertainment and murder. At the helm of this new Salzburg Festival production, in a near-live broadcast from the Great Festival Hall, director Romeo Castellucci promises to focus on the ambiguity and inner turmoil of this serial lover whose immoral behaviour condemns him to a deadly solitude. The exceptional cast – featuring Italian baritone Davide Luciano (Don Giovanni), Russian soprano Nadezhda Pavlova (Donna Anna) and Finnish bass Mika Kares (the Commendatore) – is accompanied by the chorus and musicians of the musicAeterna ensemble, conducted by Vitaly Polonsky and Teodor Currentzis.